Imre Juhász

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Alias:
Imre Juhasz
Imre Juhasz, HSC
Imre Juhász, HSC

Imre Juhász is an Hungarian cinematographer based in Ojai, California, USA.

Additional information:

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"A" Camera Operator:
2012  Stash House

Assistant Director:
1996  Wind
2012  Stash House

Camera Operator:
1996  Wind
2008  Panic
2012  Stash House
2013  A Good Day to Die Hard
2015  Spy
2015  The Martian
2017  Blade Runner 2049
2018  Red Sparrow

Cinematography:
1996  Wind
2006  Ballada
2008  Panic
2011  Beast
2012  Stash House
2013  A Good Day to Die Hard
2015  Spy
2015  The Martian
2017  Blade Runner 2049
2018  Red Sparrow

Director of Photography:
1996  Wind
2002  Stolen Sex Tapes
2006  Ballada
2008  Panic
2011  Beast
2012  Stash House
2013  A Good Day to Die Hard
2015  Spy
2015  The Martian
2016  Force 2
2016  Kills on Wheels
2017  Blade Runner 2049
2017  The Citizen
2018  Red Sparrow

Second Unit Director of Photography:
1996  Wind
2002  Stolen Sex Tapes
2006  Ballada
2008  Panic
2011  Beast
2012  Stash House
2013  A Good Day to Die Hard
2015  Spy
2015  The Martian
2016  Force 2
2016  Kills on Wheels
2017  Atomic Blonde
2017  Blade Runner 2049
2017  The Citizen
2018  Red Sparrow

"B" Camera Operator:
2019  The Witcher

Cinematography:
2008  Cookin' With Coolio
2019  The Witcher

Director of Photography:
2008  Cookin' With Coolio
2009  That's Impossible!
2019  The Witcher

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.