A work in constant progress (and occasional regress).
Dialogue Editor:
2019 Luz
2024 Cuckoo
Foley Editor:
2009 House of Boys
2019 Luz
2024 Cuckoo
Foley Mixer:
2009 House of Boys
2012 Walking
2019 Luz
2024 Cuckoo
Sound:
2009 House of Boys
2012 Walking
2019 Luz
2024 Cuckoo
2024 Our Own Shadow
Sound Design Assistant:
2009 House of Boys
2012 Walking
2018 Mr. Gay Syria
2019 Luz
2024 Cuckoo
2024 Our Own Shadow
Sound Designer:
2009 House of Boys
2012 Walking
2014 Planet Deutschland - 300 Millionen Jahre
2018 Mr. Gay Syria
2019 Luz
2020 No Hard Feelings
2024 Cuckoo
2024 Our Own Shadow
Sound Mixer:
2009 House of Boys
2012 Walking
2014 Planet Deutschland - 300 Millionen Jahre
2018 Mr. Gay Syria
2019 Luz
2020 No Hard Feelings
2021 Oray
2024 Cuckoo
2024 Our Own Shadow
Sound Re-Recording Mixer:
2009 House of Boys
2012 Walking
2014 Planet Deutschland - 300 Millionen Jahre
2018 Mr. Gay Syria
2019 Luz
2020 No Hard Feelings
2021 Oray
2022 Das Weihnachtsschnitzel
2022 Horst Lichter - Keine Zeit für Arschlöcher
2024 Cuckoo
2024 Our Own Shadow
Sound mixer:
2009 House of Boys
2012 Walking
2014 Planet Deutschland - 300 Millionen Jahre
2015 Mülheim Texas – Helge Schneider hier und dort
2018 Mr. Gay Syria
2019 Luz
2020 No Hard Feelings
2021 Oray
2022 Das Weihnachtsschnitzel
2022 Horst Lichter - Keine Zeit für Arschlöcher
2024 Cuckoo
2024 Our Own Shadow
Supervising Sound Editor:
2009 House of Boys
2012 Walking
2014 Planet Deutschland - 300 Millionen Jahre
2015 Mülheim Texas – Helge Schneider hier und dort
2018 Mr. Gay Syria
2019 Luz
2020 No Hard Feelings
2021 Oray
2022 Das Weihnachtsschnitzel
2022 Horst Lichter - Keine Zeit für Arschlöcher
2024 Cuckoo
2024 Our Own Shadow
Sound Designer:
1970 Scene of the Crime
Sound Mixer:
1970 Scene of the Crime
Sound Re-Recording Mixer:
1970 Scene of the Crime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.