A work in constant progress (and occasional regress).
David Shapiro has been a prolific filmmaker and visual artist for over twenty years. He wrote, produced, and shares a film by credit for FINISHING HEAVEN (HBO, 2009), for which he was nominated for a 2010 Emmy as producer. The film premiered at the Los Angeles Film Festival in 2009. Shapiro co-directed, wrote and produced KEEP THE RIVER ON YOUR RIGHT. The film had its international premiere at the Toronto Film Festival in 2000. Based on Tobias Schneebaum's book, the film went on to play in over 37 international film festivals winning many major awards, including the Independent Spirit Award for Best New Director (2001), the Special Jury Award at IDFA (2000), Best Documentary Feature at the Hamptons Film festival (2000) and a Special Critics Award At LAFF (2000). It was shortlisted for an Academy Award. Shapiro's visual art has been exhibited extensively in numerous solo and group exhibitions, including shows at MoMA, the Tate, the Norton and the Brooklyn Museum. His work is included in many prominent collections, including the Tate, the Whitney and the collection of Beth Rudin DeWoody. Shapiro's film, MISSING PEOPLE (2015) has its world premiere as an official selection of the 2015 Hot Docs International Documentary Film Festival. David lives and works in Queens, New York.
Director:
2000 Keep the River on Your Right: A Modern Cannibal Tale
2015 Missing People
2020 Untitled Pizza Movie
Editor:
2000 Keep the River on Your Right: A Modern Cannibal Tale
2015 Missing People
2020 Untitled Pizza Movie
Producer:
2000 Keep the River on Your Right: A Modern Cannibal Tale
2015 Missing People
2020 Untitled Pizza Movie
Writer:
2000 Keep the River on Your Right: A Modern Cannibal Tale
2015 Missing People
2020 Untitled Pizza Movie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.