A work in constant progress (and occasional regress).
Omar Fadel is a United States-based composer for film, television and video games. As a versatile multi-instrumentalist, Omar's scores frequently feature him on a wide array of instruments, including piano, guitar, cello, drums and percussion. Omar's work can be heard in numerous films, television shows and video games, namely the Emmy award-winning film, Belly of the Beast, the Peabody award-winning film, The Judge, the massively successful Dungeons and Dragons-themed show, Critical Role, the Netflix/MBC film, Route 10, the Netflix/Telfaz 11 series, Six Windows in the Desert, the widely acclaimed film, Yomeddine, and the global game franchise Assassin's Creed IV: Black Flag.
Compositor:
2021 What You’ll Remember
Music:
2011 Just Like Us
2015 Day One
2020 Belly of the Beast
2021 What You’ll Remember
2022 Route 10
2023 The Red Sea Makes Me Wanna Cry
???? Fred the Super Computer
???? Vance and the Afterlife
Music Director:
2011 Just Like Us
2015 Day One
2018 Kiss Me Not
2020 Belly of the Beast
2021 What You’ll Remember
2022 Route 10
2023 The Red Sea Makes Me Wanna Cry
???? Fred the Super Computer
???? Vance and the Afterlife
Original Music Composer:
2011 Just Like Us
2015 Day One
2017 The Judge
2018 Kiss Me Not
2018 Yomeddine
2020 Belly of the Beast
2020 Breaking Fast
2021 A Hard Problem
2021 What You’ll Remember
2022 Route 10
2023 Naga
2023 The Red Sea Makes Me Wanna Cry
???? Fred the Super Computer
???? Vance and the Afterlife
Sound:
2011 Just Like Us
2015 Day One
2017 The Judge
2018 Kiss Me Not
2018 Yomeddine
2020 Belly of the Beast
2020 Breaking Fast
2021 A Hard Problem
2021 What You’ll Remember
2022 Route 10
2023 Naga
2023 The Red Sea Makes Me Wanna Cry
2024 Norah
???? Fred the Super Computer
???? Vance and the Afterlife
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.