A work in constant progress (and occasional regress).
Adaptation:
1945 La Grande Marnière
Assistant Director:
1931 Black and White
1931 Night attack
1945 La Grande Marnière
Director:
1931 Black and White
1931 Night attack
1932 Miche
1932 The seller of the Louvre
1933 La Robe rouge
1933 Les Bleus de l'amour
1934 La flambée
1934 Le Prince Jean
1935 Adémaï au Moyen Âge
1935 Le monde où l'on s'ennuie
1937 The Street Singer
1941 Happy Days
1944 Behold Beatrice
1945 La Grande Marnière
1946 Le gardian
1946 Madame et son flirt
1948 Toute la famille était là!
1949 The Inn of Sin
Screenplay:
1931 Black and White
1931 Night attack
1932 Miche
1932 The seller of the Louvre
1933 La Robe rouge
1933 Les Bleus de l'amour
1934 La flambée
1934 Le Prince Jean
1935 Adémaï au Moyen Âge
1935 Le monde où l'on s'ennuie
1937 The Street Singer
1941 Happy Days
1944 Behold Beatrice
1945 La Grande Marnière
1946 Le gardian
1946 Madame et son flirt
1948 Toute la famille était là!
1949 The Inn of Sin
Story:
1931 Black and White
1931 Night attack
1932 Miche
1932 The seller of the Louvre
1933 La Robe rouge
1933 Les Bleus de l'amour
1934 La flambée
1934 Le Prince Jean
1935 Adémaï au Moyen Âge
1935 Le monde où l'on s'ennuie
1937 The Street Singer
1941 Happy Days
1944 Behold Beatrice
1945 La Grande Marnière
1946 Le gardian
1946 Madame et son flirt
1948 Toute la famille était là!
1949 The Inn of Sin
Writer:
1931 Black and White
1931 Night attack
1932 Miche
1932 The seller of the Louvre
1933 La Robe rouge
1933 Les Bleus de l'amour
1934 La flambée
1934 Le Prince Jean
1935 Adémaï au Moyen Âge
1935 Le monde où l'on s'ennuie
1937 The Street Singer
1941 Happy Days
1944 Behold Beatrice
1945 La Grande Marnière
1946 Le gardian
1946 Madame et son flirt
1948 Toute la famille était là!
1949 The Inn of Sin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.