Sara Newens

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Sara Newens is a Los-Angeles based filmmaker and Emmy-award winning editor who began her career working for CBS News in New York City. Her first documentary feature, Top Spin, was acquired by First Run Features and received rave reviews from the LA Times and Wall Street Journal during its festival run and theatrical release.  She also served as Editor/Writer for Kirby Dick and Amy Ziering’s feature, On The Record, which premiered at the 2020 Sundance Film Festival and distributed by HBO Max. She recently completed a second collaboration with Dick and Ziering as Supervising Editor on the HBO documentary series Allen v. Farrow. She is also known for cutting several fiction shorts and co-editing the critically acclaimed indie feature Freeland, as well as directing and editing the award-winning documentary short, Footprint, featured in The New York Times Op-Docs series.  A graduate of the MFA Documentary Film and Video Program at Stanford University, she continues to create original work through her production company Wild Pair Films, co-owned by Mina T. Son. Currently, they are developing their next feature entitled Racist Trees, which chronicles a historically Black neighborhood in Palm Springs fighting for the removal of a wall of trees that many residents believe were originally planted as a totem of segregation. In addition, she helms the LA chapter of Video Consortium, a global organization for nonfiction storytellers and video journalists.

Additional information:

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Camera Operator:
2014  Top Spin

Co-Producer:
2014  Top Spin

Consulting Editor:
2014  Top Spin
????  Now Return Us To Normal

Director:
2010  Top Spin
2014  Top Spin
2022  Racist Trees
????  Now Return Us To Normal

Editor:
2010  Top Spin
2014  Top Spin
2017  Gut Hack
2018  Roles We Play
2020  On the Record
2021  Freeland
2022  Racist Trees
2022  The Dark Side of a Hollywood Icon
2024  The White House Effect
????  Now Return Us To Normal

Producer:
2010  Top Spin
2014  Top Spin
2017  Gut Hack
2018  Roles We Play
2020  On the Record
2021  Freeland
2022  Racist Trees
2022  The Dark Side of a Hollywood Icon
2024  The White House Effect
????  Now Return Us To Normal

Sound:
2010  Top Spin
2014  Top Spin
2017  Gut Hack
2018  Roles We Play
2020  On the Record
2021  Freeland
2022  Racist Trees
2022  The Dark Side of a Hollywood Icon
2024  The White House Effect
????  Now Return Us To Normal

Thanks:
2010  Top Spin
2014  Top Spin
2017  Gut Hack
2018  Roles We Play
2020  L.A. Roll
2020  On the Record
2021  Freeland
2022  Racist Trees
2022  The Dark Side of a Hollywood Icon
2024  The White House Effect
????  Now Return Us To Normal

Writer:
2010  Top Spin
2014  Top Spin
2017  Gut Hack
2018  Roles We Play
2020  L.A. Roll
2020  On the Record
2021  Freeland
2022  Racist Trees
2022  The Dark Side of a Hollywood Icon
2024  The White House Effect
????  Now Return Us To Normal

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.