Enrique Segoviano (b. 1944)

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Born:
December 6, 1944

En 1966 hizo su debut como actor en el corto estudiantil Primer día de clases, mientras estudiaba Ciencias y Técnicas de la Información en la Universidad Iberoamericana. Entró a Canal Ocho en 1968 como elemento de diferentes producciones como "Sube, Pelayo, Sube", la telenovela "Hermanos Coraje" y el programa "Sábados de la Fortuna". Fue contratado por Roberto Gómez Bolaños en 1972. Cuando éste comenzó con sus producciones televisivas, fue él quien se encargó de dirigirlas y hacer todos los efectos especiales. En 1973, al estrenarse las series El Chavo del Ocho y El Chapulín Colorado, se desempeñó como director y productor de las mismas, conservando su cargo hasta 1978, cuando fue desplazado por razones desconocidas. Fueron éstas, sin ninguna duda, las producciones que le dieron fama. Mientras tanto, también en el año 1973 dirigió la serie Nosotros los pobres. En 1979 dirigió su primer película, El Chanfle, relacionada con la serie El Chavo del Ocho. Y en ese mismo año dirigió Odisea Burbujas, otra serie de TV. En 1984 dirigió las series Hola México!!!, la telenovela Te amo y Sí, mi amor. En el año 1986 dirigió y produjo la telenovela Ave Fénix'. En 1986, produjo las series: ¡Anabel! (1988), TVO (1991) , Y sin embargo... se mueve (1994), Pobre niña rica (1995) y La vida de María Félix (1992), Atínale al Precio (1997 y de nuevo en 2010), 100 mexicanos dijeron (2001) Espacio en blanco (2006) y "Todo el mundo cree que sabe" (2009 - 2011)

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.