A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
September 23, 1969
Laís Bodanzky (São Paulo, September 23, 1969) debuted in the direction with the short film Red Card, about a girl who lives among brats and discovers sexuality. This award-winning short film was selected for the New York Film Festival in 1995. She is the daughter of filmmaker Jorge Bodanzky.
Cinematography:
1999 Cine Mambembe: Cinema Discovers Brazil
Director:
1993 Bia Bai
1994 Red Card
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2022 Pedro, Between the Devil and the Deep Blue Sea
Director of Photography:
1993 Bia Bai
1994 Red Card
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2022 Pedro, Between the Devil and the Deep Blue Sea
Editor:
1993 Bia Bai
1994 Red Card
1996 Peter and the Lord
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2022 Pedro, Between the Devil and the Deep Blue Sea
Executive Producer:
1993 Bia Bai
1994 Red Card
1996 Peter and the Lord
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2022 Pedro, Between the Devil and the Deep Blue Sea
Producer:
1993 Bia Bai
1994 Red Card
1996 Peter and the Lord
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2013 Rio 2096: A Story of Love and Fury
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2018 Ex-Shaman
2021 The Last Forest
2022 Pedro, Between the Devil and the Deep Blue Sea
2023 Perlimps
Screenplay:
1993 Bia Bai
1994 Red Card
1996 Peter and the Lord
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2013 Rio 2096: A Story of Love and Fury
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2018 Ex-Shaman
2021 The Last Forest
2022 Pedro, Between the Devil and the Deep Blue Sea
2023 Perlimps
Story:
1993 Bia Bai
1994 Red Card
1996 Peter and the Lord
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2013 Rio 2096: A Story of Love and Fury
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2018 Ex-Shaman
2021 The Last Forest
2022 Pedro, Between the Devil and the Deep Blue Sea
2023 Perlimps
Writer:
1993 Bia Bai
1994 Red Card
1996 Peter and the Lord
1999 Cine Mambembe: Cinema Discovers Brazil
2001 Brainstorm
2002 São Paulo's War
2007 The Ballroom
2010 The Best Things in the World
2012 Invisible World
2012 One Sole Note
2013 Olympic Women
2013 Rio 2096: A Story of Love and Fury
2014 Tela Brasil: 10 Anos de Cinema nas Quebradas
2017 Just Like Our Parents
2018 Ex-Shaman
2021 The Last Forest
2022 Pedro, Between the Devil and the Deep Blue Sea
2023 Perlimps
Co-Director:
2014 Educação.doc
Producer:
2014 Educação.doc
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.