A work in constant progress (and occasional regress).
Alias:
Olga Naccache
Birthplace:
Mersin, Turkey
Born:
March 30, 1953
Olga Nakkas or Naccache (born March 30, 1953) is a Turkish-Lebanese documentary filmmaker. Olga Nakkas was born on March 30, 1953 in Mersin, Turkey, the daughter of a Turkish mother and a Lebanese father. Her family moved to Beirut, Lebanon in 1958. She studied in Paris and worked for the BBC and Canal Plus. At the end of the Lebanese Civil War, she returned to Beirut. Her film ‘Ashura (1987) is about Shi‘ites in southern Lebanon during the holiday of Ashura. She described her work about women in post-war Lebanon, Lebanon, Bits and Pieces (1992), as "the first film into which I really put a lot of myself. It deals with my relationship with my past and with a country I love and hate at the same time." She focused on the country again in Mother, Lebanon & Me (2009). She examined issues around hijabs and veils in Turkey in Women of Turkey: Between Islam and Secularism (2006). Her film Mon ami Imad et le taxi, about a taxi driver wandering the empty streets of civil war Beirut, began as an unfinished Super 8 film shot in 1985. Né à Beyrouth combined her film with another unfinished work by Hassan Zbib and presented it with an electronic music soundtrack at their 2006 festival.
Director:
1994 Lebanon: Bits and Pieces
2009 Mother, Lebanon & Me
Producer:
1994 Lebanon: Bits and Pieces
2009 Mother, Lebanon & Me
Writer:
1994 Lebanon: Bits and Pieces
2009 Mother, Lebanon & Me
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.