A work in constant progress (and occasional regress).
Birthplace:
Caracas, Venezuela
Born:
October 9, 1951
Fina Torres is a film director. She became known by winning la Caméra d'Or award at the 1985 Cannes Film Festival with her directorial debut film, Oriana. She studied design, photography and journalism in Venezuela and later on film at the Institut des hautes études cinématographiques in Paris. She now lives in Mexico and the United States. She continues to work with film projects related to Latin America as well as giving workshops in direction and script writing in Venezuela. Her notable works include Mécaniques célestes (Celestial Clockwork) (1995), Woman on Top (2000), Habana Eva ("Havana Eva" (2008).
Costume Design:
1985 Oriana
Director:
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2010 Habana Eva
2014 Liz in September
Executive Producer:
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2010 Habana Eva
2014 Liz in September
Producer:
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2010 Habana Eva
2014 Liz in September
Screenplay:
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2010 Habana Eva
2011 From Prada to Nada
2014 Liz in September
Script Supervisor:
1980 Fernand
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2010 Habana Eva
2011 From Prada to Nada
2014 Liz in September
Set Decoration:
1980 Fernand
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2010 Habana Eva
2011 From Prada to Nada
2014 Liz in September
Writer:
1980 Fernand
1985 Oriana
1995 Celestial Clockwork
2000 Woman on Top
2005 Esperanza
2008 The Leap Years
2010 Habana Eva
2011 From Prada to Nada
2014 Liz in September
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.