Fina Torres (b. 1951)

Birthplace:
Caracas, Venezuela

Born:
October 9, 1951

Fina Torres is a film director. She became known by winning la Caméra d'Or award at the 1985 Cannes Film Festival with her directorial debut film, Oriana.   She studied design, photography and journalism in Venezuela and later on film at the Institut des hautes études cinématographiques in Paris. She now lives in Mexico and the United States.  She continues to work with film projects related to Latin America as well as giving workshops in direction and script writing in Venezuela.  Her notable works include Mécaniques célestes (Celestial Clockwork) (1995), Woman on Top (2000), Habana Eva ("Havana Eva" (2008).

Additional information:

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Director:
1985  Oriana
1995  Celestial Clockwork
2000  Woman on Top
2005  Esperanza
2010  Habana Eva
2014  Liz in September

Executive Producer:
1985  Oriana
1995  Celestial Clockwork
2000  Woman on Top
2005  Esperanza
2010  Habana Eva
2014  Liz in September

Producer:
1985  Oriana
1995  Celestial Clockwork
2000  Woman on Top
2005  Esperanza
2010  Habana Eva
2014  Liz in September

Screenplay:
1985  Oriana
1995  Celestial Clockwork
2000  Woman on Top
2005  Esperanza
2010  Habana Eva
2011  From Prada to Nada
2014  Liz in September

Script Supervisor:
1980  Fernand
1985  Oriana
1995  Celestial Clockwork
2000  Woman on Top
2005  Esperanza
2010  Habana Eva
2011  From Prada to Nada
2014  Liz in September

Writer:
1980  Fernand
1985  Oriana
1995  Celestial Clockwork
2000  Woman on Top
2005  Esperanza
2008  The Leap Years
2010  Habana Eva
2011  From Prada to Nada
2014  Liz in September

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.