A work in constant progress (and occasional regress).
Alias:
Steve Stucker
Birthplace:
Des Moines, IA
Born:
July 2, 1947
Died:
April 13, 1986
Stucker was born in Des Moines, Iowa. His family moved to Shaker Heights, Ohio, where he distinguished himself in school as a pianist and class clown. He graduated from high school in 1965. Stucker made his screen debut co-starring in the 1975 comedic sexploitation film Carnal Madness as Bruce Wilson, a gay fashion designer who escapes from an insane asylum with two fellow inmates, fleeing to an all-girls school. He went on to perform in the 1977 earthquake-in-Los-Angeles comedy Cracking Up, alongside Fred Willard, Michael McKean, and Harry Shearer. In 1977 he appeared in the John Landis film The Kentucky Fried Movie, based on the troupe's sketches. This led to his supporting role in the Zucker-Abrahams-Zucker comedy Airplane!, which he reprised in Airplane II: The Sequel. For the initial film, the writers gave Stucker the straight lines for his scenes and let him write his character's off-the-wall responses. In 1982 he had a guest role in a three-episode sequence in the TV series Mork & Mindy and, in 1983, had a small featured role in Landis' Trading Places. In 1984, he had a co-starring role as the sex-obsessed psychiatrist, Dr. Bender, in the teen comedy film Bad Manners (aka: Growing Pains). On July 12, 1984, Stucker was diagnosed with AIDS. He later publicly announced his illness, making him one of the first actors to announce he was suffering from the disease. Stucker had apparently suffered from many different types of cancer-related symptoms as early as 1979, prior to public knowledge of what AIDS was. He died from AIDS-related complications on April 13, 1986 at the age of 38. He is interred in the Chapel of the Chimes.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.