Victor Heerman (1893-1977)

Alias:
Victor Eugene Heerman

Birthplace:
Surrey, England, UK

Born:
August 27, 1893

Died:
November 3, 1977

From Wikipedia, the free encyclopedia  Victor Heerman (August 27, 1893 – November 3, 1977) was an English-American film director, screenwriter and film producer.[1] After writing and directing short comedies for Mack Sennett, Heerman teamed with his wife Sarah Y. Mason to win the Academy Award for Best Adapted Screenplay of Louisa May Alcott's novel Little Women in 1933. He directed the Marx Brothers' second film, Animal Crackers, in 1930.

Additional information:

The Search Form


Director:
1917  Are Waitresses Safe?
1920  The River's End
1921  My Boy
1922  John Smith
1923  Rupert of Hentzau
1923  The Dangerous Maid
1924  The Confidence Man
1925  Irish Luck
1927  Ladies Must Dress
1927  Rubber Heels
1928  Love Hungry
1930  Animal Crackers
1930  Moonlight and Romance
1930  Paramount on Parade
1930  Personality
1930  Sea Legs
1931  The Stolen Jools

Other:
1917  Are Waitresses Safe?
1920  The River's End
1921  My Boy
1922  John Smith
1923  Rupert of Hentzau
1923  The Dangerous Maid
1924  The Confidence Man
1925  Irish Luck
1927  Ladies Must Dress
1927  Rubber Heels
1928  Love Hungry
1930  Animal Crackers
1930  Moonlight and Romance
1930  Paramount on Parade
1930  Personality
1930  Sea Legs
1931  The Stolen Jools
1954  Magnificent Obsession

Screenplay:
1917  Are Waitresses Safe?
1920  The River's End
1921  My Boy
1922  John Smith
1923  Rupert of Hentzau
1923  The Dangerous Maid
1924  The Confidence Man
1925  Irish Luck
1927  Ladies Must Dress
1927  Rubber Heels
1928  Love Hungry
1930  Animal Crackers
1930  Moonlight and Romance
1930  Paramount on Parade
1930  Personality
1930  Sea Legs
1931  The Stolen Jools
1933  Little Women
1934  The Age of Innocence
1934  The Little Minister
1935  Break of Hearts
1935  Magnificent Obsession
1937  Stella Dallas
1939  Golden Boy
1949  Little Women
1954  Magnificent Obsession

Story:
1917  Are Waitresses Safe?
1920  The River's End
1921  A Divorce of Convenience
1921  My Boy
1922  John Smith
1923  Rupert of Hentzau
1923  The Dangerous Maid
1924  The Confidence Man
1925  Irish Luck
1927  Ladies Must Dress
1927  Rubber Heels
1928  Love Hungry
1930  Animal Crackers
1930  Moonlight and Romance
1930  Paramount on Parade
1930  Personality
1930  Sea Legs
1931  The Stolen Jools
1933  Little Women
1934  The Age of Innocence
1934  The Little Minister
1935  Break of Hearts
1935  Magnificent Obsession
1937  Stella Dallas
1939  Golden Boy
1949  Little Women
1954  Magnificent Obsession

Writer:
1917  Are Waitresses Safe?
1920  The River's End
1921  A Divorce of Convenience
1921  My Boy
1922  John Smith
1923  Rupert of Hentzau
1923  The Dangerous Maid
1924  The Confidence Man
1925  Irish Luck
1927  Ladies Must Dress
1927  Rubber Heels
1928  Love Hungry
1930  Animal Crackers
1930  Moonlight and Romance
1930  Paramount on Parade
1930  Personality
1930  Sea Legs
1931  The Stolen Jools
1933  Little Women
1934  The Age of Innocence
1934  The Little Minister
1935  Break of Hearts
1935  Magnificent Obsession
1937  Stella Dallas
1939  Golden Boy
1949  Little Women
1954  Magnificent Obsession

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.