A work in constant progress (and occasional regress).
Birthplace:
Medellín, Colombia
Born:
November 17, 1977
when you think about the Latin man in the world of fashion and elegance the name of Juan Pablo always comes up. His cinnamon skin, dark eyes and hair have delighted thousands of women and are the demonstration on why the Colombians are the best exponents of the male sex. National and international companies have used his image to promote their products and set trends he is the ideal prototype that reflects lust, sensuality and charm with a deep, penetrating look and perfectly formed muscles. The paisa would love to have his own producing company, and become the best director of television and movies; dreams about sharing his life with catalina and have a family. He has always worked with effort. Three years ago, he graduated as publicist from the universidad pontificia bolivariana; in his hometown, where he was the vocalist of Remora, a hard core band that gave him the opportunity to record some demos that were in succesful rotation at prestigious stations as radioacktiva. Juan Pablo entered the world of models. he was the main image of the costena beer, royal, boston cigarettes, and participated in one of the catalogues of the history of love underwear. Alo magazine named him as the sexiest man of the country, and according to TV y novelas, he is the owner of one of the best bodies in show business. At an international level, he has done commercials for sunsilk, bayer, and the contigo mobile phones. As expected, Juan Pablo has been a member of the fashion festivals Colombiamoda and Colombiatex, and right now is working as an actor of the teleset soap opera the authentic Rodrigo Leal, alongside figures as important as Jairo Camargo and Raquel Ercole.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.