A work in constant progress (and occasional regress).
Birthplace:
Monterrey, Nuevo Leon, Mexico
Born:
October 2, 1982
Raúl Quintanilla Alvarado was born in Monterrey, Mexico in October 2, 1982. He started his filmmaker career in 2000 with a feature length film and since then has created three more features and more than 500 short films. His creative work encompass fiction, experimental, documentary and explores the thin lines between them, throwing light into the human condition and its paradoxes.
Director:
2005 La cámara robada
2009 Asma
2009 The Hunched Donkey
2019 Fin Amor
Director of Photography:
2005 La cámara robada
2009 Asma
2009 The Hunched Donkey
2019 Fin Amor
Editor:
2005 La cámara robada
2009 Asma
2009 The Hunched Donkey
2019 Fin Amor
Producer:
2005 La cámara robada
2009 Asma
2009 The Hunched Donkey
2019 Fin Amor
Screenplay:
2005 La cámara robada
2009 Asma
2009 The Hunched Donkey
2019 Fin Amor
Sound Designer:
2005 La cámara robada
2009 Asma
2009 The Hunched Donkey
2019 Fin Amor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.