Joe Comerford (b. 1947)

Gallery Unavailable

Birthplace:
Dublin, Ireland

Born:
December 12, 1947

Joe Comerford was born in 1947 in Dublin, Ireland, graduating from the National College of Art and Design in the 1960s. In the 1970s, he began working for RTÉ, Ireland's national broadcaster, where he learned camera operating and general studio production. Two years later, he left RTÉ to make independent films. All his films share a general concern for those on the margins of what was an increasingly-affluent Irish society.  His films of the 1970s and 1980s featured dysfunctional familial settings, as analogous to Ireland's political and religious conditions at the time. His early films have been described as challenging to watch, as they often do not follow a linear narrative, but move forward as a series of vignettes.  Comerford has worked as an independent director in Ireland for over 50 years producing work that is distinguished by its cinematic subversion and social commentary, with a trademark twinning of film narrative and visual-aural abstraction. His films focus on socially-marginalised characters –destitute men, drug users, aimless youths, Travellers, prisoners and women in the midst of crisis pregnancies. His two cinema features Reefer and the Model (1988), a comedy-crime thriller and High Boot Benny (1993), a drama set against the backdrop of the Troubles, are both shot through with his distinctive political and social analysis. Alternating between feature films with a narrative bias, and shorts which tend towards abstract painted imagery, Comerford has declared that his longer-term objective is to tell a story by combining the two strands into a ‘painted feature’.

Additional information:

The Search Form


Camera Operator:
1984  Atlantean

Cinematography:
1971  Emtigon
1984  Atlantean

Director:
1971  Emtigon
1973  Withdrawal
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

Director of Photography:
1971  Emtigon
1973  Withdrawal
1975  Lament for Art Ó Laoghaire
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

Editor:
1971  Emtigon
1973  Withdrawal
1975  Lament for Art Ó Laoghaire
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

Executive Producer:
1971  Emtigon
1973  Withdrawal
1975  Lament for Art Ó Laoghaire
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

Producer:
1971  Emtigon
1973  Withdrawal
1975  Lament for Art Ó Laoghaire
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

Screenplay:
1971  Emtigon
1973  Withdrawal
1975  Lament for Art Ó Laoghaire
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

Writer:
1971  Emtigon
1973  Withdrawal
1975  Lament for Art Ó Laoghaire
1977  Down the Corner
1981  Traveller
1984  Atlantean
1984  Waterbag
1988  Reefer and the Model
1993  High Boot Benny
2008  Roadside

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.