A work in constant progress (and occasional regress).
Alias:
DJaxx
South African-born filmmaker, Denver Jackson, has been a visual effects artist and animator for ten years living in Canada. He is internationally recognized for his work in digital and visual effects, animation and design, and has contributed to many award-winning films. He works on both live-action and animated films, blending the conventions of both mediums to create his own unique style. Denver is known to often write, direct, film, edit and animate his projects almost entirely on his own. In 2016-2017, Denver completed two short animated films that he wrote, directed and animated; The Wishing Jar (2016) which has screened around the world, including at three Academy-qualifying festivals, winning ‘best-animated film’ at San Diego Comic-Con IIFF and Heartland Film Festival. Most recently, he produced both a web series, Esluna: The First Monolith, and a feature, Esluna: The Crown of Babylon, with animation production being handled entirely by himself. Denver’s work leans heavily on the fantastical, while still being grounded by real-world characters and situations.
Animation:
2013 Cloudrise
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Background Designer:
2013 Cloudrise
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Cinematography:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Director:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Director of Photography:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Editor:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Producer:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Title Designer:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2018 The Hollow Child
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Visual Effects:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2018 The Hollow Child
2020 We Came Frome The Sea
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Writer:
2012 Cloud Port 9
2013 Cloudrise
2016 The Wishing Jar
2018 SOS: Somnius
2018 The Hollow Child
2020 We Came Frome The Sea
2021 Esluna: The Crown of Babylon
2023 Orbital No.2
2023 The Worlds Divide
Creator:
2018 Esluna: The First Monolith
Director:
2018 Esluna: The First Monolith
Producer:
2018 Esluna: The First Monolith
Writer:
2018 Esluna: The First Monolith
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.