A work in constant progress (and occasional regress).
Born:
March 26, 1880
Died:
February 3, 1951
Adaptation:
1926 The Midnight Kiss
1927 The Jazz Singer
1928 We Americans
Director:
1918 The Wages of Sin
1926 The Midnight Kiss
1927 The Jazz Singer
1928 We Americans
1929 Always Faithful
Scenario Writer:
1918 The Wages of Sin
1926 The Midnight Kiss
1927 The Jazz Singer
1928 We Americans
1929 Always Faithful
1930 Sweethearts on Parade
Screenplay:
1918 The Wages of Sin
1926 Flames
1926 The Midnight Kiss
1927 Frisco Sally Levy
1927 The Cat and the Canary
1927 The Gorilla
1927 The Jazz Singer
1928 The Last Warning
1928 We Americans
1929 Always Faithful
1929 The Carnation Kid
1930 Numbered Men
1930 Sweethearts on Parade
1932 Mystery Ranch
1933 Son of a Sailor
1934 Harold Teen
Story:
1918 The Wages of Sin
1924 In Fast Company
1926 Flames
1926 The Midnight Kiss
1927 Frisco Sally Levy
1927 The Cat and the Canary
1927 The Gorilla
1927 The Jazz Singer
1928 The Last Warning
1928 We Americans
1929 Always Faithful
1929 The Carnation Kid
1930 Feet First
1930 Numbered Men
1930 Sweethearts on Parade
1932 Mystery Ranch
1933 Son of a Sailor
1934 Harold Teen
Writer:
1918 The Wages of Sin
1923 Jazzmania
1923 The Drums of Jeopardy
1924 In Fast Company
1925 His People
1926 Flames
1926 The Cohens and Kellys
1926 The Midnight Kiss
1927 Frisco Sally Levy
1927 The Cat and the Canary
1927 The Gorilla
1927 The Jazz Singer
1928 The Cohens and the Kellys in Paris
1928 The Last Warning
1928 We Americans
1929 Always Faithful
1929 Divorce Made Easy
1929 Melancholy Dame
1929 The Carnation Kid
1930 Feet First
1930 Numbered Men
1930 Sweethearts on Parade
1931 The Cisco Kid
1932 Me and My Gal
1932 Mystery Ranch
1933 Son of a Sailor
1934 Harold Teen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.