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Melisa Sözen (b. 1985)

Alias:
Ayşe Melisa Sözen

Birthplace:
Istanbul, Turkey

Born:
July 6, 1985

Biography from TheMovieDB

​Melisa Sözen (born 6 July 1985) is a Turkish actress.  Starting her professional career at the very early age of 15, she studied in theatre department of Pera Fine Arts High School. Sözen starred in many Turkish TV hits including Çemberimde Gül Oya, Bıçak Sırtı, Bir Bulut Olsam, The Magnificent Century, "Kırmızı Oda" and Şubat. She played two different roles in "Şubat".After working with Turkey's most prominent directors in movies like Av Mevsimi, Bir Varmış Bir Yokmuş and Cenneti Beklerken Sözen attracted international attention with her phenomenal acting in Nuri Bilge Ceylan's Palme d'Or winning Winter Sleep in 2014. Following her role in the 3rd Season of Éric Rochant's influential series Le bureau des légendes in 2017, Sözen moved to Paris for a while and worked on her French. Her first leading role in a French movie came in 2019 with Damien veut changer le monde.  Achieving an extraordinary level of critical success in her homeland by winning both Theater Critics Association's and Film Critics Association's awards for the actress in a leading role in 2015 with her performances in The Knot of the Heart and Winter Sleep, Sözen frequently was invited as a jury member to many international film festivals including Guanajuato International Film Festival (Mexico, 2015), International Istanbul Film Festival (Turkey, 2016), Sarajevo Film Festival (Bosnia Herzegovina, 2017) and Cannes Series (France, 2018).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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