Jules Dassin (1911-2008)

Alias:
Julius Dassin
Perlo Vita
줄스 다신
쥴스 다신

Birthplace:
Middletown, Connecticut, USA

Born:
December 18, 1911

Died:
March 31, 2008

From Wikipedia, the free encyclopedia  Julius "Jules" Dassin (December 18, 1911 – March 31, 2008) was an American film director, producer, writer and actor. He was a subject of the Hollywood blacklist in the McCarthy era, and subsequently moved to France, where he revived his career.  Dassin quickly became better known for his noir films Brute Force (1947), The Naked City (1948), and Thieves' Highway (1949), which helped him to become "one of the leading American filmmakers of the postwar era."  Dassin's most influential film was Rififi (1955), an early work in the "heist film" genre. It inspired later heist films, such as Ocean's Eleven (1960). Another piece it inspired was Dassin's own heist film Topkapi, filmed in France and Istanbul, Turkey with Melina Mercouri and Oscar winner Peter Ustinov.  Dassin said Darryl F. Zanuck in 1948 called him into his office to inform him he would be blacklisted, but he still had enough time to make a movie for Fox. Dassin was blacklisted in Hollywood during the production of Night and the City (1950). He was not allowed on the studio property to edit or oversee the musical score for the film. He also had trouble finding work abroad, as U.S. distribution companies blacklisted the U.S. distribution of any European film associated with artists blacklisted in Hollywood. In 1952, after Dassin had been out of work for two years, actress Bette Davis hired him to direct her in the Broadway revue Two's Company. The show closed early, however, and Dassin left for Europe. Dassin did not work as a film director again until Rififi in 1954 (a French production). Most of Dassin's films in the decades following the blacklist are European productions. His prolific later career in Europe and the affiliation with Greece through his second wife, combined with a common pronunciation of his surname as "Da-SAN" in Europe, as opposed to "DASS-in" in the United States leads to a common misconception that he was a European director.

Additional information:

The Search Form


Adaptation:
1955  Rififi

Director:
1941  The Tell-Tale Heart
1942  Nazi Agent
1942  Reunion in France
1942  The Affairs of Martha
1943  Young Ideas
1944  The Canterville Ghost
1946  A Letter for Evie
1946  Two Smart People
1947  Brute Force
1948  The Naked City
1949  Thieves' Highway
1950  Night and the City
1955  Rififi
1957  He Who Must Die
1959  The Law
1960  Never on Sunday
1962  Phaedra
1964  Topkapi
1966  10:30 P.M. Summer
1968  Survival 1967
1968  Uptight
1970  Promise at Dawn
1974  The Rehearsal
1978  A Dream of Passion
1981  Circle of Two

Producer:
1941  The Tell-Tale Heart
1942  Nazi Agent
1942  Reunion in France
1942  The Affairs of Martha
1943  Young Ideas
1944  The Canterville Ghost
1946  A Letter for Evie
1946  Two Smart People
1947  Brute Force
1948  The Naked City
1949  Thieves' Highway
1950  Night and the City
1955  Rififi
1957  He Who Must Die
1959  The Law
1960  Never on Sunday
1962  Phaedra
1964  Topkapi
1966  10:30 P.M. Summer
1968  Survival 1967
1968  Uptight
1970  Promise at Dawn
1974  The Rehearsal
1978  A Dream of Passion
1981  Circle of Two

Screenplay:
1941  The Tell-Tale Heart
1942  Nazi Agent
1942  Reunion in France
1942  The Affairs of Martha
1943  Young Ideas
1944  The Canterville Ghost
1946  A Letter for Evie
1946  Two Smart People
1947  Brute Force
1948  The Naked City
1949  Thieves' Highway
1950  Night and the City
1955  Rififi
1957  He Who Must Die
1959  The Law
1960  Never on Sunday
1962  Phaedra
1964  Topkapi
1966  10:30 P.M. Summer
1968  Survival 1967
1968  Uptight
1970  Promise at Dawn
1974  The Rehearsal
1978  A Dream of Passion
1981  Circle of Two

Writer:
1941  The Tell-Tale Heart
1942  Nazi Agent
1942  Reunion in France
1942  The Affairs of Martha
1943  Young Ideas
1944  The Canterville Ghost
1946  A Letter for Evie
1946  Two Smart People
1947  Brute Force
1948  The Naked City
1949  Thieves' Highway
1950  Night and the City
1955  Rififi
1957  He Who Must Die
1959  The Law
1960  Never on Sunday
1962  Phaedra
1964  Topkapi
1966  10:30 P.M. Summer
1968  Survival 1967
1968  Uptight
1970  Promise at Dawn
1974  The Rehearsal
1978  A Dream of Passion
1981  Circle of Two

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.