A work in constant progress (and occasional regress).
Producer:
2016 Long Nights Short Mornings
Sound:
2016 Long Nights Short Mornings
2018 Active Measures
Sound Designer:
2015 CT Fletcher: My Magnificent Obsession
2015 The Murder Pact
2016 Long Nights Short Mornings
2018 Active Measures
2018 Welcome the Stranger
2019 Crypto
Sound Editor:
2015 CT Fletcher: My Magnificent Obsession
2015 The Murder Pact
2016 Long Nights Short Mornings
2018 Active Measures
2018 Welcome the Stranger
2019 Crypto
2022 How to Live Your Best Death
2023 Where Are You, Christmas?
Sound Re-Recording Mixer:
2012 Dead Souls
2015 CT Fletcher: My Magnificent Obsession
2015 The Murder Pact
2016 Long Nights Short Mornings
2016 Sorority Nightmare
2017 Splitting Image
2017 Stalker's Prey
2018 Active Measures
2018 After Everything
2018 Welcome the Stranger
2019 Crypto
2021 Next Stop, Christmas
2022 Alone Together
2022 How to Live Your Best Death
2023 Alien Intervention
2023 Mystic Christmas
2023 Where Are You, Christmas?
Supervising Sound Editor:
2012 Dead Souls
2015 CT Fletcher: My Magnificent Obsession
2015 The Murder Pact
2016 Long Nights Short Mornings
2016 Sorority Nightmare
2017 Splitting Image
2017 Stalker's Prey
2018 Active Measures
2018 After Everything
2018 Welcome the Stranger
2019 Crypto
2021 Next Stop, Christmas
2022 Alone Together
2022 How to Live Your Best Death
2023 Alien Intervention
2023 Mystic Christmas
2023 Where Are You, Christmas?
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.