A work in constant progress (and occasional regress).
Birthplace:
Fulham, London, England
Born:
September 21, 1919
Died:
February 27, 2003
David Scase (21 September 1919 – 27 February 2003) was a British theatre director and actor. Born at Fulham, London, as the son of a bricklayer, his first job was in a bicycle factory in the mid-1930s. He joined the Merchant Navy on the outbreak of World War II in 1939, but by the end of the war was working as a BBC sound engineer. He then joined Joan Littlewood's Theatre Workshop in Manchester and served as a stage manager, before moving to directing. He ran the Manchester Library Theatre, which he made into one of the most prestigious repertory theatres in the country, from the late 1950s until the 1970s. He gave actors such as Patrick Stewart, Martin Jarvis, and many other household names, their first jobs. Following minor television roles between 1948 and 1965, he began to act on a regular basis during the 1970s, beginning with an appearance in a 1972 episode of Holly. Minor roles in shows including The Nearly Man, ITV Playhouse, Flambards and Fallen Hero followed later on in the decade. In 1984, in his 65th year, he landed his first regular television role, in How We Used to Live, with five appearances as George Holyrood. From 1984 to 1987, he appeared as Hilda Ogden's friend Dr Lowther in Coronation Street. In 1989, he appeared in two episodes of Judith Krantz's Till We Meet Again. Scase retired from acting in 1992, having voiced the Duke in Truckers (stop motion animation adaptation of the Terry Pratchett book) early in the year, and finally appearing as an Art Gallery Owner in The Case-Book of Sherlock Holmes: The Master Blackmailer He died in February 2003, at the age of 83
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.