Julian Foddy

Julian Foddy joined ILM's London studio in 2015, first working on Teenage Mutant Ninja Turtles: Out of the Shadows and then supervising a team on Transformers: The Last Knight, after ten years in the VFX industry. Julian collaborated with John Knoll on Rogue One: A Star Wars Story, on which he acted as 2nd Unit VFX Supervisor for the latter stages of the shoot. In 2017, he assisted Roger Guyett and Grady Cofer with the visual effects supervision of Steven Spielberg's Ready Player One.  Before entering the world of digital visual effects in 2004, Julian spent 15 years in the music industry, achieving great success as a renowned international DJ and record producer. In 2003, after a spell as a resident DJ in Hong Kong and a 3-month tour in Australia, he decided on a career change, and on returning to the UK, enrolled at Derby University to study Games Design and Digital Entertainment and began his professional VFX career whilst he was still studying.  Julian enjoyed a swift rise through the 3D ranks, and within just two years in the industry, he found himself becoming the CG Supervisor on the Paul Greengrass project, The Green Zone. Julian then faced the new challenge of creating a fully CG lead character in the Simon Pegg and Nick Frost comedy Paul (which led to a VES nomination for 'Best Animated Character'). He went on to be the CG Supervisor on FX-heavy projects such as The Dark Knight Rises and Fast and Furious 6. It was on these projects that Julian first expanded his skill set to cover on-set work, an aspect of the job he enjoys greatly. On recent projects such as Hercules and Geostor. Julian has acted as onset second unit visual effects supervisor and also as splinter/aerial unit director on several occasions.  Information above via their homepage.

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Visual Effects Supervisor:
2019  The Mandalorian
2024  The Acolyte

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.