A work in constant progress (and occasional regress).
Alias:
William Barnett Parker
Birthplace:
Batley, Yorkshire, England, UK
Born:
September 10, 1886
Died:
August 5, 1941
Within the British colony of expatriate actors in Hollywood during the 1930's, Barnett Parker, born 11 September 1886, in Batley, Yorkshire, England, was among the most stereotypical. Harrowgate College-educated, straight-backed, balding and well-intoned, Parker caricatured a multitude of unctuous, stiff-upper-lip butlers, man-servants or waiters, though his performances could, at times, verge on the brink of being camp. When driven to frustration his characters commonly resorted to incoherent twitter or wild gesticulation. Parker was trained under Marie Tempest and George Alexander in England. He first acted on Broadway at the Lyceum Theatre as Wilfred Tavish in Arthur Wing Pinero's "The "Mind the Paint" Girl" in 1912. He was well served with further roles in hit plays like "Hobson's Choice" (1915), "Artists and Models" (1924) and "The Red Robe" (1928). He was at first prone to reject film offers, professing to favor acting on stage. Nonetheless, the celluloid medium eventually beckoned, enticing him to sign with the East Coast-based studio Thanhouser in 1915. He worked in films during the daytime (while treading the boards at night) and quickly landed a plum role as a weak socialite, rescuing Gladys Hulette in Prudence, the Pirate (1916). He was seldom thereafter afforded the opportunity for heroic acts. During the 1930's, he was primarily in demand for small roles as dandified or 'silly ass' Britishers, giving value for money in films like Mr. Deeds Goes to Town (1936), Personal Property (1937), Live, Love and Learn (1937) and Broadway Melody of 1938 (1937). Looking rather older than his years, Barnett Parker died at the Cedars of Lebanon Hospital in Los Angeles after multiple heart attacks on August 5, 1941.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.