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Shauna Llewellyn

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Birthplace:
Toronto, Ontario, Canada

Biography from TheMovieDB

Shauna Llewellyn is a hair and makeup artist known for The Colony (2013), Harold & Kumar Go to White Castle (2004) and Women Talking ...and many other titles.  Makeup Artist Shauna Llewellyn brings a passionate, multi-disciplined approach to creating beautiful looks for publications, and media across the fashion, music and entertainment industries.  As an Esthetician turned Professional Makeup Artist, Shauna has worked in film and television for the past 20 years, over the course of which, her outstanding talent has earned her a Gemini award and two industry nominations. Her level of skill, and focus on flawless skin has garnered her top clients in the industry, with internationally celebrated directors entrusting her with some of the world’s most recognizable faces.  Shauna credits her career trajectory to the dedication she has to expanding her knowledge of new techniques, products, and trends through training workshops, including a program at Pinewood Studios in London, England. This commitment to refining her skills and increasing her expertise, have broadened her makeup industry experiences and she continues to work passionately at her craft, striving for the highest level of professionalism.

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Film Production

Key Makeup Artist:
2013  The Colony

Makeup Artist:
2003  The Cheetah Girls
2013  The Colony

Makeup Department Head:
2003  The Cheetah Girls
2013  The Colony
2022  Women Talking
2025  Star Trek: Section 31

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TV Production

Makeup Department Head:
2024  The Big Cigar

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.