A work in constant progress (and occasional regress).
Alias:
Jonathan Krane
Birthplace:
Los Angeles, California, USA
Born:
May 1, 1952
Died:
August 1, 2016
Jonathan D. Krane was an American screenwriter, film producer, talent manager, and studio head. He's most known in Hollywood for his decade and a half partnership with John Travolta, who he managed from 1987 until 2002. He has been a force for change in the film industry. A graduate of both St. John's College and Yale University School of Law, his background in classical studies and law paved the way for him to identify five fundamental principles as its foundation. Implementing theories based on these principles, he has been able to achieve a high level of success as an industry leader. His career began in 1980 through a partnership with director Blake Edwards. As co-founder of "Blake Edwards Entertainment" and an Executive Producer on all of Edwards' films, Krane learned the ins and outs of the business from a key position as the first producer/manager. From there, he easily transformed into a studio mogul. His studio, Management Company Entertainment Group (MCEG), was the first talent management/studio/production company, and the highest performing entertainment stock of 1988. At MCEG, Krane focused on talent, putting Kim Basinger, Bruce Willis and Bridget Fonda in their first films. Managing over 150 clients, he also produced successful studio and independent films keeping low budgets and high production values. Krane produced Face/Off (1997), Phenomenon (1996), Michael (1996), Jerry Maguire (1996), Primary Colors (1998) - chosen to open the '98 Cannes Film Festival, and The General's Daughter (1999). Overall, Krane has produced 46 movies, both studio and independent. Recognized throughout his career for his work, Krane has received numerous awards and honors including "The Hollywood Visionary Award" in 2000 from the Hollywood Film Festival, a nomination for the Independent Spirit Awards for Best First Feature for The Chocolate War (1988), an issue of Daily Variety dedicated to his 20-year career, The People's Choice Award for Look Who's Talking (1989), as well as The Golden Palm Award at the Palm Beach International Film Festival for The Point of Betrayal (1995), which he co-wrote and produced. Krane has hosted seminars across the country on how to break into the film industry, and lectured at both the AFI Conservatory and USC. For fourteen years, his educational home was the UCLA Extension School, where he taught Motion Picture Production and Talent Management. By 2003, Krane undertook a lifelong dream of writing a comprehensive textbook on the industry. "A Revolutionary Approach to the Art and Science of Moviemaking" outlines a system by which movies can be produced both efficiently and profitably. Through its vision, this book has formed the basis of the curriculum for an innovative film institute Krane founded in 2005, the Krane Academy. It has also helped form the guiding principles of Krane's newest venture, The Edge, which will produce, finance, and distribute 15 films a year.
Executive Producer:
1982 Trail of the Pink Panther
1983 Curse of the Pink Panther
1983 The Man Who Loved Women
1984 Micki + Maude
1985 Howie Mandel: Live from Carnegie Mall
1986 A Fine Mess
1986 That's Life!
1987 Blind Date
1989 The Experts
1994 Love Is a Gun
1996 Michael
1996 Phenomenon
1997 Face/Off
1997 Mad City
1998 Primary Colors
1999 The General's Daughter
2003 Basic
2007 The Prince and the Pauper: The Movie
Producer:
1982 Trail of the Pink Panther
1983 Curse of the Pink Panther
1983 The Man Who Loved Women
1984 Micki + Maude
1985 Howie Mandel: Live from Carnegie Mall
1986 A Fine Mess
1986 That's Life!
1987 Blind Date
1988 You Can't Hurry Love
1989 C.H.U.D. II: Bud the Chud
1989 Catch Me If You Can
1989 Getting It Right
1989 Limit Up
1989 Look Who's Talking
1989 The Experts
1990 Fatal Charm
1990 Look Who's Talking Too
1990 Without You I'm Nothing
1991 Convicts
1992 Boris and Natasha
1992 Breaking the Rules
1992 Cold Heaven
1993 Look Who's Talking Now!
1994 Love Is a Gun
1996 Michael
1996 Phenomenon
1997 Face/Off
1997 Mad City
1998 Primary Colors
1999 The General's Daughter
2000 Battlefield Earth
2000 Lucky Numbers
2001 Domestic Disturbance
2001 Swordfish
2003 Basic
2007 The Prince and the Pauper: The Movie
2010 Father of Invention
Writer:
1982 Trail of the Pink Panther
1983 Curse of the Pink Panther
1983 The Man Who Loved Women
1984 Micki + Maude
1985 Howie Mandel: Live from Carnegie Mall
1986 A Fine Mess
1986 That's Life!
1987 Blind Date
1988 You Can't Hurry Love
1989 C.H.U.D. II: Bud the Chud
1989 Catch Me If You Can
1989 Getting It Right
1989 Limit Up
1989 Look Who's Talking
1989 The Experts
1990 Fatal Charm
1990 Look Who's Talking Too
1990 Without You I'm Nothing
1991 Convicts
1992 Boris and Natasha
1992 Breaking the Rules
1992 Cold Heaven
1993 Look Who's Talking Now!
1994 Love Is a Gun
1995 The Point of Betrayal
1996 Michael
1996 Phenomenon
1997 Face/Off
1997 Mad City
1998 Primary Colors
1999 The General's Daughter
2000 Battlefield Earth
2000 Lucky Numbers
2001 Domestic Disturbance
2001 Swordfish
2003 Basic
2007 The Prince and the Pauper: The Movie
2010 Father of Invention
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.