Jonathan D. Krane (1952-2016)

Alias:
Jonathan Krane

Birthplace:
Los Angeles, California, USA

Born:
May 1, 1952

Died:
August 1, 2016

Jonathan D. Krane was an American screenwriter, film producer, talent manager, and studio head. He's most known in Hollywood for his decade and a half partnership with John Travolta, who he managed from 1987 until 2002.  He has been a force for change in the film industry. A graduate of both St. John's College and Yale University School of Law, his background in classical studies and law paved the way for him to identify five fundamental principles as its foundation. Implementing theories based on these principles, he has been able to achieve a high level of success as an industry leader.  His career began in 1980 through a partnership with director Blake Edwards. As co-founder of "Blake Edwards Entertainment" and an Executive Producer on all of Edwards' films, Krane learned the ins and outs of the business from a key position as the first producer/manager. From there, he easily transformed into a studio mogul. His studio, Management Company Entertainment Group (MCEG), was the first talent management/studio/production company, and the highest performing entertainment stock of 1988.  At MCEG, Krane focused on talent, putting Kim Basinger, Bruce Willis and Bridget Fonda in their first films. Managing over 150 clients, he also produced successful studio and independent films keeping low budgets and high production values. Krane produced Face/Off (1997), Phenomenon (1996), Michael (1996), Jerry Maguire (1996), Primary Colors (1998) - chosen to open the '98 Cannes Film Festival, and The General's Daughter (1999). Overall, Krane has produced 46 movies, both studio and independent.  Recognized throughout his career for his work, Krane has received numerous awards and honors including "The Hollywood Visionary Award" in 2000 from the Hollywood Film Festival, a nomination for the Independent Spirit Awards for Best First Feature for The Chocolate War (1988), an issue of Daily Variety dedicated to his 20-year career, The People's Choice Award for Look Who's Talking (1989), as well as The Golden Palm Award at the Palm Beach International Film Festival for The Point of Betrayal (1995), which he co-wrote and produced.  Krane has hosted seminars across the country on how to break into the film industry, and lectured at both the AFI Conservatory and USC. For fourteen years, his educational home was the UCLA Extension School, where he taught Motion Picture Production and Talent Management. By 2003, Krane undertook a lifelong dream of writing a comprehensive textbook on the industry. "A Revolutionary Approach to the Art and Science of Moviemaking" outlines a system by which movies can be produced both efficiently and profitably. Through its vision, this book has formed the basis of the curriculum for an innovative film institute Krane founded in 2005, the Krane Academy. It has also helped form the guiding principles of Krane's newest venture, The Edge, which will produce, finance, and distribute 15 films a year.

Additional information:

The Search Form


Executive Producer:
1982  Trail of the Pink Panther
1983  Curse of the Pink Panther
1983  The Man Who Loved Women
1984  Micki + Maude
1985  Howie Mandel: Live from Carnegie Mall
1986  A Fine Mess
1986  That's Life!
1987  Blind Date
1989  The Experts
1994  Love Is a Gun
1996  Michael
1996  Phenomenon
1997  Face/Off
1997  Mad City
1998  Primary Colors
1999  The General's Daughter
2003  Basic
2007  The Prince and the Pauper: The Movie

Producer:
1982  Trail of the Pink Panther
1983  Curse of the Pink Panther
1983  The Man Who Loved Women
1984  Micki + Maude
1985  Howie Mandel: Live from Carnegie Mall
1986  A Fine Mess
1986  That's Life!
1987  Blind Date
1988  You Can't Hurry Love
1989  C.H.U.D. II: Bud the Chud
1989  Catch Me If You Can
1989  Getting It Right
1989  Limit Up
1989  Look Who's Talking
1989  The Experts
1990  Fatal Charm
1990  Look Who's Talking Too
1990  Without You I'm Nothing
1991  Convicts
1992  Boris and Natasha
1992  Breaking the Rules
1992  Cold Heaven
1993  Look Who's Talking Now!
1994  Love Is a Gun
1996  Michael
1996  Phenomenon
1997  Face/Off
1997  Mad City
1998  Primary Colors
1999  The General's Daughter
2000  Battlefield Earth
2000  Lucky Numbers
2001  Domestic Disturbance
2001  Swordfish
2003  Basic
2007  The Prince and the Pauper: The Movie
2010  Father of Invention

Writer:
1982  Trail of the Pink Panther
1983  Curse of the Pink Panther
1983  The Man Who Loved Women
1984  Micki + Maude
1985  Howie Mandel: Live from Carnegie Mall
1986  A Fine Mess
1986  That's Life!
1987  Blind Date
1988  You Can't Hurry Love
1989  C.H.U.D. II: Bud the Chud
1989  Catch Me If You Can
1989  Getting It Right
1989  Limit Up
1989  Look Who's Talking
1989  The Experts
1990  Fatal Charm
1990  Look Who's Talking Too
1990  Without You I'm Nothing
1991  Convicts
1992  Boris and Natasha
1992  Breaking the Rules
1992  Cold Heaven
1993  Look Who's Talking Now!
1994  Love Is a Gun
1995  The Point of Betrayal
1996  Michael
1996  Phenomenon
1997  Face/Off
1997  Mad City
1998  Primary Colors
1999  The General's Daughter
2000  Battlefield Earth
2000  Lucky Numbers
2001  Domestic Disturbance
2001  Swordfish
2003  Basic
2007  The Prince and the Pauper: The Movie
2010  Father of Invention

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.