Amaka Okafor (b. 1981)

Alias:
Sally Amaka Okafor

Birthplace:
Birmingham, West Midlands, England, UK

Born:
November 3, 1981

Sally Amaka Okafor is a British actress. She is known for her work in theatre, and her roles in the film Greatest Days (2023) as well as the BBC One series The Responder (2022) and the Netflix series Bodies (2023).  Okafor was born in Birmingham to a Nigerian reggae artist father and an Indian journalist mother, and moved around the UK growing up. She studied theatre devising at Liverpool John Moores University. She began her career touring community theatre in schools, prisons, and churches, and was a member of the Unicorn Theatre ensemble in London for two years.  Originally credited as Sally Amaka Okafor, she made her West End theatre debut playing Sofia in Florian Zeller's The Son, which transferred from Kilburn's Kiln Theatre to the Duke of York's theatre in October 2019. In 2016 she appeared in Peter Pan at the National Theatre, and played Lady Macduff in Macbeth at the same theatre in 2018.She has appeared at the Royal Court Theatre in Hope Has A Happy Meal (2023), Grimly Handsome (2017), It's All Made Up, The Space Between, and I See You.  She has played Miranda in Unicorn Theatre's The Tempest, Guildenstern in Almeida Theatre's Hamlet, Amal in National Theatre of Scotland's Glasgow Girls, and an official in Hamlet at the Barbican Centre. Her other theatre credits include Nora: A Doll's House (2020), Bird, and After The End (2022).  Okafor's television work has included playing DI Deborah Barnes, a former colleague of the central character, Chris Carson, in the BBC's The Responder.She also appears in BBC drama The Split (2020). Okafor appears as DS Hasan in Netflix's Bodies. Bodies is created by Paul Tomalin, directed by Marco Kreuzpaintner, and based on the graphic novel by Si Spencer and Dean Ormston.  In one of her most prominent roles to date, Okafor stars alongside Aisling Bea, Alice Lowe, and Jayde Adams in Greatest Days, a 2023 cinematic adaptation of Take That's smash-hit stage musical, The Band. Greatest Days portrays a group of school friends reuniting after 25 years. The BFI's review says that Okafor and her co-stars "make the most of the film’s more predictable plotlines and gags". Her other film work includes upcoming UK indie comedy drama Sweet Sue, directed by Leo Leigh.  Okafor is also known for her work in radio drama and audiobooks, portraying Kaz in long-running BBC soap The Archers (a rare, brief, occurrence of a BAME character in this rural soap opera). and Zoe in Mark Ravenhill's adaptation of the Dion Boucicault play, The Octoroon, and appearing in Neil Gaiman's podcast series, The Sandman. She starred as Emily McCoy in Tom Stoppard's 2013 radio play, Darkside, based on Pink Floyd's classic album, The Dark Side of the Moon.

Additional information:

The Search Form


Director:
2018  In The House Of Ravens

Producer:
2018  In The House Of Ravens

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.