Matt Snedecor

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Alias:
Matthew Snedecor

Additional information:

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ADR Mixer:
2018  Furlough

ADR Recordist:
2009  Dare
2018  Art of Style: Jean Cocteau
2018  Furlough

Assistant Sound Editor:
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2018  Art of Style: Jean Cocteau
2018  Furlough

Dialogue Editor:
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2016  Vincent N Roxxy
2018  Art of Style: Jean Cocteau
2018  Furlough

Foley Artist:
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2014  Kumiko, the Treasure Hunter
2016  Vincent N Roxxy
2018  Art of Style: Jean Cocteau
2018  Furlough

Foley Editor:
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2014  Kumiko, the Treasure Hunter
2016  Vincent N Roxxy
2018  Art of Style: Jean Cocteau
2018  Furlough
2019  Waves

Foley Recordist:
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2014  Kumiko, the Treasure Hunter
2016  Vincent N Roxxy
2018  Art of Style: Jean Cocteau
2018  Can You Ever Forgive Me?
2018  Furlough
2019  Waves

Sound Designer:
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2014  Blue Ruin
2014  Kumiko, the Treasure Hunter
2016  Vincent N Roxxy
2018  Art of Style: Jean Cocteau
2018  Can You Ever Forgive Me?
2018  Furlough
2019  Waves
2020  The Man Card

Sound Effects Editor:
2004  The Rise & Fall of Penn Station
2006  The Hip Hop Project
2009  After.Life
2009  Dare
2010  Catfish
2011  Martha Marcy May Marlene
2012  Simon Killer
2013  Henry Ford
2014  Blue Ruin
2014  Kumiko, the Treasure Hunter
2015  James White
2016  Christine
2016  The Transfiguration
2016  Vincent N Roxxy
2016  White Girl
2017  My Friend Dahmer
2017  The Florida Project
2018  Art of Style: Jean Cocteau
2018  Can You Ever Forgive Me?
2018  Furlough
2018  Skate Kitchen
2018  The Swerve
2019  Land of Little Rivers
2019  Waves
2020  The Man Card
2021  Body Brokers
2023  The Year Between

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.