A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
April 30, 1927
Died:
October 21, 2023
Associate Producer:
1970 Cannon for Cordoba
Music:
1956 Magnificent Roughnecks
1970 Cannon for Cordoba
Screenplay:
1956 Magnificent Roughnecks
1958 Frontier Gun
1959 Battle of the Coral Sea
1966 Chamber of Horrors
1966 Scalplock
1970 Cannon for Cordoba
Story:
1956 Magnificent Roughnecks
1958 Frontier Gun
1959 Battle of the Coral Sea
1966 Chamber of Horrors
1966 Scalplock
1970 Cannon for Cordoba
Teleplay:
1956 Magnificent Roughnecks
1958 Frontier Gun
1959 Battle of the Coral Sea
1966 Chamber of Horrors
1966 Scalplock
1967 Winchester '73
1970 Cannon for Cordoba
1979 Son-Rise: A Miracle of Love
1981 Broken Promise
1983 Living Proof: The Hank Williams Jr. Story
Writer:
1956 Magnificent Roughnecks
1956 Singing in the Dark
1958 Frontier Gun
1959 Battle of the Coral Sea
1960 The Walking Target
1966 Chamber of Horrors
1966 Scalplock
1967 Winchester '73
1970 Cannon for Cordoba
1975 Death Stalk
1979 Son-Rise: A Miracle of Love
1980 Dallas Cowboys Cheerleaders II
1981 Broken Promise
1982 Shock-Trauma
1983 Living Proof: The Hank Williams Jr. Story
Co-Producer:
1985 MacGyver
Creator:
1966 The Iron Horse
1985 MacGyver
Producer:
1966 The Iron Horse
1985 MacGyver
Story Consultant:
1966 The Iron Horse
1985 MacGyver
Teleplay:
1964 The Rogues
1966 The Iron Horse
1968 The Mod Squad
1974 The Six Million Dollar Man
1979 Hart to Hart
1985 MacGyver
Writer:
1964 The Rogues
1965 The Wild Wild West
1966 Batman
1966 Star Trek
1966 The Iron Horse
1968 Hawaii Five-O
1968 The Mod Squad
1973 Star Trek
1974 The Six Million Dollar Man
1975 Wonder Woman
1977 CHiPs
1977 Man from Atlantis
1979 Hart to Hart
1979 Supertrain
1979 The Dukes of Hazzard
1985 MacGyver
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.