A work in constant progress (and occasional regress).
Kamila Kuc is a multimedia artist and writer whose work explores the transformative potential of apparatuses, dreams and memories in the creation of societal myths and narratives. Her films have screened internationally: most recently at the Edinburgh International Film Festival, CROSSROADS, Ann Arbor Film Festival, Anthology Film Archives New York; Studio Gallery, Warsaw; Whitechapel Gallery, British Film Institute, Institute of Contemporary Arts and Visions in the Nunnery, London.
Associate Producer:
2021 Revelation 360
Director:
2014 In the Same Room
2017 I Think You Should Come to America
2020 noonwraith blues
2021 Revelation 360
2021 What We Shared
2021 uchronia, no.1
2023 Her Plot of Blue Sky
2024 The Last Forever
Editor:
2014 In the Same Room
2017 I Think You Should Come to America
2020 noonwraith blues
2021 Revelation 360
2021 What We Shared
2021 uchronia, no.1
2023 Her Plot of Blue Sky
2024 The Last Forever
Producer:
2014 In the Same Room
2017 I Think You Should Come to America
2020 noonwraith blues
2021 Revelation 360
2021 What We Shared
2021 uchronia, no.1
2023 Her Plot of Blue Sky
2024 The Last Forever
Writer:
2014 In the Same Room
2017 I Think You Should Come to America
2020 noonwraith blues
2021 Revelation 360
2021 What We Shared
2021 uchronia, no.1
2023 Her Plot of Blue Sky
2024 The Last Forever
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.