Artur Semedo (1924-2001)

Alias:
Artur Francisco da Cunha Semedo
Артур Семедо

Birthplace:
Arronches, Portugal

Born:
November 2, 1924

Died:
February 8, 2001

Before becoming a director, screenwriter, and producer, Artur Semedo enjoyed success as an actor on stage, television, and in feature films from 1949 through 1965. Semedo spent the years 1962 through 1965 working in Brazil.

Additional information:

The Search Form


Director:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1975  As Armas e o Povo
1978  O Rei das Berlengas ou a Independência das Ditas
1986  O Barão de Altamira
1987  O Querido Lilás
1991  A Luxury Crime

Executive Producer:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1975  As Armas e o Povo
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1986  O Barão de Altamira
1987  O Querido Lilás
1991  A Luxury Crime

Producer:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1974  Sofia e a Educação Sexual
1975  As Armas e o Povo
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1983  Pôr do Sol no Areeiro
1986  O Barão de Altamira
1987  O Querido Lilás
1991  A Luxury Crime

Production Manager:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1974  Sofia e a Educação Sexual
1975  As Armas e o Povo
1975  O Funeral do Patrão
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1981  O Banqueiro Anarquista
1983  Pôr do Sol no Areeiro
1984  Chronicle of Good Hoodlums
1986  O Barão de Altamira
1986  Saudades Para Dona Genciana
1987  O Querido Lilás
1991  A Luxury Crime

Screenplay:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1974  Sofia e a Educação Sexual
1975  As Armas e o Povo
1975  O Funeral do Patrão
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1979  Donasvinte
1981  O Banqueiro Anarquista
1983  Pôr do Sol no Areeiro
1984  Chronicle of Good Hoodlums
1986  O Barão de Altamira
1986  Saudades Para Dona Genciana
1987  O Querido Lilás
1991  A Luxury Crime

Script:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1974  Sofia e a Educação Sexual
1975  As Armas e o Povo
1975  O Funeral do Patrão
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1979  Donasvinte
1981  O Banqueiro Anarquista
1983  Pôr do Sol no Areeiro
1984  Chronicle of Good Hoodlums
1986  O Barão de Altamira
1986  Saudades Para Dona Genciana
1987  O Querido Lilás
1991  A Luxury Crime

Sequence Supervisor:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1974  Sofia e a Educação Sexual
1975  As Armas e o Povo
1975  O Funeral do Patrão
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1979  Donasvinte
1981  O Banqueiro Anarquista
1983  Pôr do Sol no Areeiro
1984  Chronicle of Good Hoodlums
1986  O Barão de Altamira
1986  Saudades Para Dona Genciana
1987  O Querido Lilás
1991  A Luxury Crime

Writer:
1956  O Dinheiro dos Pobres
1974  Malteses, Burgueses e às Vezes...
1974  Sofia e a Educação Sexual
1975  As Armas e o Povo
1975  O Funeral do Patrão
1976  The Ghosts of Alcacer-Kibir
1978  O Rei das Berlengas ou a Independência das Ditas
1979  Donasvinte
1981  O Banqueiro Anarquista
1983  Pôr do Sol no Areeiro
1984  Chronicle of Good Hoodlums
1986  O Barão de Altamira
1986  Saudades Para Dona Genciana
1987  O Querido Lilás
1991  A Luxury Crime

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.