Izabella Pruska-Oldenhof

Gallery Unavailable

Izabella Pruska-Oldenhof is a Toronto-based experimental filmmaker, scholar and Associate Professor at the School of Image Arts, Ryerson University. She is a graduate of Media Arts at Ryerson University (BAA) and Communication and Culture at York University (MA) and (PhD). Her doctoral research concentrated on feminine aesthetics in avant-garde cinema and body art, and drew on Julia Kristeva’s theories on vanguard poetry and Luce Irigaray’s philosophy of ethics. Izabella’s writings on cinema, art, dance, technology and culture, have appeared in Parol, Canadian Journal of Film Studies, and in Ultimate Reality and Meaning Journal (Journal of Interdisciplinary Studies in the Philosophy of Understanding), and in anthologies on media arts and on screen dance, including a chapter in the forthcoming Oxford Handbook of Screendance. Izabella’s film and video projects have screened in numerous group programs at international film festivals, cinematheques, galleries and art centres in Canada and abroad. Solo screenings of her works have been presented at the Diagonal Film Archive in Seoul, South Korea (2008), at the 10th Festival des Cinéma Différent de Paris in France (2008), and at Canadian Film Institute: CAFÉ eX in Ottawa (2007). Izabella’s projects received many awards from film festivals, as well as grants from the Canada Council for the Arts, Ontario Arts Council, NFB, LIFT, and Ryerson University. Her films are included in collections at several universities and in video anthologies, including: Made by Hand, Contre L’Oeil, and Loop Collective. She is the co-founder and an active member of the successful Toronto-based experimental film collective, the Loop Collective (loopcollective.com). Her work as an artist and scholar is interdisciplinary and often explores connections between art, bodies, and technology.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.