Tommy Chunn

Tommy Chunn knew from a very young age that his calling was to make people laugh, including himself. His charismatic personality and boyish charm is impossible to resist. Through highly animated facial expressions, physical contortions, masterful use of word-play, innuendo and dead on point impersonations, Tommy tells stories which draw from the hardships of his own life experiences, falling nothing short of hilarious. His smart-eclectic style breaks through the bounds of ethnic and social division.  Born in Detroit, Michigan, Tommy Chunn is an African American, whose father was adopted a man of Asian descent (which explains the name). Tommy grew up on Detroit's northwest side where he attended Mumford (a predominantly black) High School for one year. He then moved to San Diego, California where he lived with his relatives and graduated from Patrick Henry, a high school with an extremely diverse mix of ethnic groups. Upon arriving in San Diego, Tommy experienced a major culture shock from learning to interact with all different kinds of people he met at school as well as the differences and dysfunction's he would experience living with his relatives. Upon settling in, Tommy began to excel in Drama Class and his intercultural social skills naturally advanced. The dynamic cultural influences that Tommy Chunn has encountered living most his teenage and adult life alternating "black" and forth between Detroit and California largely accounts for his universal perspectives, enhanced versatility and overall broad appeal. Some of those fortunate enough to experience a Tommy Chunn performance include the audiences of the HBO Russell Simmons comedy specials (3 appearances), FOX Network, Def Jam Prime Time special, 60 Minutes comedy special, Evening at the Improv (2 appearances), B.E.T. Comic View (4 appearances, won producers choice award), appearing with Harry Belafonte, Roy Ayers, Isaac Hayes, Neol Pointer, Martin Lawrence, Dennis Miller, Tim Allen and Richard Pryor.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.