A work in constant progress (and occasional regress).
Additional Sound Re-Recordist:
2001 Get Over It
Foley Mixer:
2000 American Psycho
2000 Requiem for a Dream
2001 Get Over It
Foley Recordist:
1999 From Dusk Till Dawn 3: The Hangman's Daughter
2000 American Psycho
2000 Requiem for a Dream
2001 Get Over It
Mixing Engineer:
1999 From Dusk Till Dawn 3: The Hangman's Daughter
2000 American Psycho
2000 Requiem for a Dream
2001 Get Over It
2004 Funky Monkey
Sound Mixer:
1999 From Dusk Till Dawn 3: The Hangman's Daughter
2000 American Psycho
2000 Requiem for a Dream
2001 Get Over It
2004 Funky Monkey
2021 Resident Evil: Welcome to Raccoon City
Sound Re-Recording Mixer:
1996 Mask of Death
1999 From Dusk Till Dawn 3: The Hangman's Daughter
1999 Nightworld: Lost Souls
1999 Sunshine
1999 The Cyberstalking
2000 American Psycho
2000 Requiem for a Dream
2001 Get Over It
2002 Cube 2: Hypercube
2003 Barely Legal
2003 Nothing
2004 Funky Monkey
2005 Saw II
2005 Water
2006 Saw III
2007 Saw IV
2008 Pig Hunt
2008 Saw V
2008 The Burrowers
2009 Night of the Demons
2009 Saw VI
2010 Resident Evil: Afterlife
2010 Saw 3D
2011 Faces in the Crowd
2012 Resident Evil: Retribution
2014 Pompeii
2014 The Calling
2016 Love's Complicated
2016 Resident Evil: The Final Chapter
2019 Scary Stories to Tell in the Dark
2019 Sweetness in the Belly
2020 The Broken Hearts Gallery
2021 Resident Evil: Welcome to Raccoon City
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.