Julia Davis (b. 1974)

Birthplace:
Kiev - Ukraine

Born:
May 16, 1974

Julia Davis is a Ukrainian-born producer, director, screenwriter in the film and television industry. Julia is a featured Russian Expert at the Atlantic Council, Disinformation Portal, a member of the Academy of Arts & Sciences, Screen Actors Guild, Women In Film, listed as one of Top 40 Ukrainian Producers, Directors, Writers, a member of the Federal Law Enforcement Officers Association and other prestigious guilds, unions and organizations. Julia earned a Master's Degree in Aviation and Spacecraft Engineering. She is multilingual and speaks several languages fluently, including English, Spanish, Russian (native speaker) and Ukrainian (native speaker). Julia studied basic Farsi at Cal-State Northridge, CA.  Julia Davis became a National Security/Counter-Terrorism/Immigration/Russian Propaganda Expert as a former federal officer, having served with the Department of Homeland Security/ Customs and Border Protection as an Acting Supervisor while being processed for employment as a Special Agent for the Federal Bureau of Investigation. Julia is an internationally-known Russian Media Analyst. She created the website "Russian Media Monitor," which actively debunks propaganda and monitors Russian media. Julia writes as an Investigative Reporter, discussing foreign policy, international and domestic affairs and other issues. Julia's investigative reports and articles have prompted retractions and corrections by RT (formerly Russia Today) and other media outlets, globally showcased. Julia Davis is a former DHS, Customs & Border Protection, Law Enforcement Agent, featured on prime-time news outlets, "The Doctors", "Access Hollywood", "Good Morning America", "Inside Edition", "Entertainment Tonight", "CNN", "HLN", "Nancy Grace" commentator on Fox News - "Fox News - Follow the Money" with Eric Bolling, HLN's "Nancy Grace", with commentary on national security, immigration, corruption, counter-terrorism, human rights, civil rights and due process. Julia works in support of charitable organizations, such as Wounded Warriors Chapter, Therapeutic Living Center for the Blind (sponsored by the Conrad Hilton Foundation), American Society for the Prevention of Cruelty to Animals and Humane Society. During her career years in the film industry, Julia Davis served as a stunt double to Academy Award winners Angelina Jolie and Helen Hunt, working in the international film franchise, "The Amazing Spider-Man 2" and knows production from all aspects, from concept to delivery. Julia's creative experience is vast, as an accredited producer, director, investigative reporter, award winning screenwriter and published author. Julia produced the first American film score utilizing the talent of the world renowned National Ukrainian Orchestra for Paramount Pictures.  Julia's articles have been cited by CNN, The Hill, International Business Times, The Hollywood Reporter, People, Cosmopolitan, Time Magazine, The Wrap, Entertainment Weekly, US Magazine, E!-Online, New York Daily News, Radar Online, Yahoo Movies, Inside Edition, MTV, Huffington Post, Miami Herald, The Guardian, MSN, Mirror, The Inquisitr, The International Business Times, Metro (UK), Wall Street Journal and Dallas News. Julia Davis is the CEO of Fleur De Lis Film Studios for domestic and international productions, sales and distribution for all media markets.

Additional information:

The Search Form


Creator:
2016  Rogues In Robes

Director:
2016  Rogues In Robes
2017  Workers Con
????  Not Me, It's A Trap

Editor:
1994  Charlie Sheen's Stunts Spectacular
2016  Rogues In Robes
2017  Workers Con
????  Not Me, It's A Trap

Executive Producer:
1994  Charlie Sheen's Stunts Spectacular
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

First Assistant Director:
1994  Charlie Sheen's Stunts Spectacular
1998  Armstrong
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Line Producer:
1994  Charlie Sheen's Stunts Spectacular
1998  Armstrong
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Producer:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1998  Armstrong
2001  L.A.P.D.: To Protect And To Serve
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Second Assistant Director:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1998  Armstrong
1998  Gunshy
2001  L.A.P.D.: To Protect And To Serve
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Second Unit Cinematographer:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1998  Armstrong
1998  Gunshy
2001  L.A.P.D.: To Protect And To Serve
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Second Unit Director:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Story:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Stunt Coordinator:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1997  As Good as It Gets
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Stunt Double:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1997  As Good as It Gets
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2012  Top Priority: The Terror Within
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Stunts:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1997  As Good as It Gets
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2012  Top Priority: The Terror Within
2014  The Amazing Spider-Man 2
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Stunts Coordinator:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1997  As Good as It Gets
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2012  Top Priority: The Terror Within
2014  The Amazing Spider-Man 2
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

Writer:
1994  Charlie Sheen's Stunts Spectacular
1994  Stickfighter
1997  As Good as It Gets
1998  Armstrong
1998  Gunshy
2000  Delta Force One: The Lost Patrol
2001  L.A.P.D.: To Protect And To Serve
2002  Power Play
2006  Forget About It
2012  Top Priority: The Terror Within
2014  The Amazing Spider-Man 2
2016  Rogues In Robes
2017  Workers Con
2018  LA DA Story
????  Not Me, It's A Trap

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.