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Paul P. Perry (1891-1963)

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Birthplace:
Denver, Colorado, USA

Born:
December 13, 1891

Died:
October 24, 1963

Biography from TheMovieDB

American pioneer cinematographer of the silent screen, often working on the films of the director George Melford. One of the first to experiment with colour.

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Additional information:

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Film Production

Cinematography:
1916  The Thousand-Dollar Husband
1917  Nan of Music Mountain
1917  What Money Can't Buy
1920  The Sea Wolf
1921  The Outside Woman
1924  On the Stroke of Three
1925  Souls for Sables
1929  Love In The Desert
1941  La hora de las sorpresas
1942  Concierto de almas

Director of Photography:
1916  The Lash
1916  The Thousand-Dollar Husband
1917  Lost and Won
1917  Nan of Music Mountain
1917  What Money Can't Buy
1918  The Bravest Way
1920  The Round-Up
1920  The Sea Wolf
1921  The Little Minister
1921  The Outside Woman
1922  Singed Wings
1924  On the Stroke of Three
1925  Souls for Sables
1925  Waking Up the Town
1929  Love In The Desert
1939  24 hours free
1941  La hora de las sorpresas
1941  Last Refuge
1942  Concierto de almas
1942  Una novia en apuros

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.