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Peter Warnier

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Film Performances

Click the heading above to show or hide the list.

Film Production

Co-Producer:
2014  Eye Catcher!
2018  Donbass

Sound Designer:
2006  Escort
2013  Leve boerenliefde
2013  The Resurrection of a Bastard
2014  Eye Catcher!
2015  Schneider vs. Bax
2016  The Hero
2018  Donbass
2023  That Afternoon
????  Roya Was Here

Sound Mixer:
2003  Cloaca
2006  Escort
2013  Leve boerenliefde
2013  The Resurrection of a Bastard
2014  Eye Catcher!
2015  Schneider vs. Bax
2016  Skirt Day
2016  The Hero
2018  Donbass
2019  By the Name of Tania
2022  The Natural History of Destruction
2023  That Afternoon
????  Roya Was Here

Sound Re-Recording Mixer:
2003  Cloaca
2006  Escort
2008  Alibi
2010  Saint
2011  The President
2013  Leve boerenliefde
2013  The Resurrection of a Bastard
2013  Ushi Must Marry
2014  El Cinco
2014  Eye Catcher!
2015  Schneider vs. Bax
2016  Skirt Day
2016  The Hero
2017  Here I Am
2018  Donbass
2019  Bloody Marie
2019  By the Name of Tania
2020  The Dick Maas Method
2022  The Natural History of Destruction
2023  That Afternoon
????  Roya Was Here

Sound mixer:
2003  Cloaca
2006  Escort
2006  Theo Maassen: Tegen beter weten in
2008  Alibi
2010  Saint
2011  The President
2013  Leve boerenliefde
2013  The Resurrection of a Bastard
2013  Ushi Must Marry
2014  El Cinco
2014  Eye Catcher!
2015  Schneider vs. Bax
2016  Skirt Day
2016  The Hero
2017  Here I Am
2018  Donbass
2019  Bloody Marie
2019  By the Name of Tania
2020  The Dick Maas Method
2022  The Natural History of Destruction
2023  That Afternoon
????  Roya Was Here

Supervising Sound Editor:
2003  Cloaca
2006  Escort
2006  Theo Maassen: Tegen beter weten in
2008  Alibi
2010  Saint
2011  All the Time in the World
2011  The President
2012  Quiz
2013  Leve boerenliefde
2013  The Resurrection of a Bastard
2013  Ushi Must Marry
2014  El Cinco
2014  Eye Catcher!
2014  Reckless
2015  Schneider vs. Bax
2016  Skirt Day
2016  The Hero
2017  Here I Am
2018  Donbass
2019  Bloody Marie
2019  By the Name of Tania
2020  The Dick Maas Method
2022  The Natural History of Destruction
2023  That Afternoon
????  Roya Was Here

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.