Linda Gehringer

Linda Gehringer most recently appeared at the Goodman in The Crowd You're in With during the the 2008/2009 Season. Her New York credits include The Atlantic Theater Company productions of 10x20 and Rolin Jones’ The Intelligent Design of Jenny Chow which she originated at South Coast Repertory. Other South Coast Repertory credits include the world premieres of Julia Cho’s The Piano Teacher, Horton Foote’s Getting Frankie Married—and Afterwards, Keith Reddin’s But Not For Me, Richard Greenberg’s The Naked Girl on the Appian Way, Annie Weisman’s Hold Please and the West Coast premieres of The Retreat from Moscow, Peter Hedges’ Good as New, as well asDoubt, Hamlet and All My Sons, among others. Regional credits include roles in productions at La Jolla Playhouse, Mark Taper Forum, The Old Globe Theater, Arena Stage, Centerstage, Huntington Theatre Company, New York Stage and Film, Berkshire Theatre Festival and seven seasons at Dallas Theatre Center. Ms. Gehringer’s television credits include Weeds, Without a Trace, Gilmore Girls, Cold Case, The West Wing, Frasier, Ally McBeal, The Practice, The Larry Sanders Show, Law & Order: Criminal Intent and four seasons on Evening Shade. Film credits include As Good as It Gets. She has received numerous critical awards and holds an MFA from The University of Minnesota.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.