Clay Enos (b. 1969)

Birthplace:
New York, NY, USA

Born:
October 30, 1969

Clay Enos, despite over a decade of working on blockbuster film sets, refuses to be pigeonholed into any one category of photography. Movie posters, a far-flung non-profit assignment, or a spontaneous portrait on the street, finds Clay consistently capturing moments that feel both real and transcendent. Always spontaneous yet sincere, Clay's unique style shines through his commercial, editorial and personal photographs.  Clay enjoys the fast pace of shooting on the fly. His relaxed, jovial style allows him to be creative and resourceful with whatever he is shooting. His recent commercial clients include Warner Bros. and the Bloomberg Foundation.  In 2007, film director Zack Snyder hired Clay to document his film adaptation of Watchmen for Warner Bros. That opportunity opened up a world that for the next decade saw him working as a set photographer. His most notable recent films include the Academy Award winning A Star is Born and the upcoming sequel to the critically acclaimed and worldwide blockbuster, Wonder Woman 1984.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.