A work in constant progress (and occasional regress).
Birthplace:
New York, NY, USA
Born:
October 30, 1969
Clay Enos, despite over a decade of working on blockbuster film sets, refuses to be pigeonholed into any one category of photography. Movie posters, a far-flung non-profit assignment, or a spontaneous portrait on the street, finds Clay consistently capturing moments that feel both real and transcendent. Always spontaneous yet sincere, Clay's unique style shines through his commercial, editorial and personal photographs. Clay enjoys the fast pace of shooting on the fly. His relaxed, jovial style allows him to be creative and resourceful with whatever he is shooting. His recent commercial clients include Warner Bros. and the Bloomberg Foundation. In 2007, film director Zack Snyder hired Clay to document his film adaptation of Watchmen for Warner Bros. That opportunity opened up a world that for the next decade saw him working as a set photographer. His most notable recent films include the Academy Award winning A Star is Born and the upcoming sequel to the critically acclaimed and worldwide blockbuster, Wonder Woman 1984.
BTS Photographer:
2017 Snow Steam Iron
Still Photographer:
2009 Watchmen
2011 Sucker Punch
2013 Kill Your Darlings
2013 Man of Steel
2014 300: Rise of an Empire
2014 And So It Goes
2014 Beyond the Reach
2014 The Skeleton Twins
2015 Staten Island Summer
2016 Batman v Superman: Dawn of Justice
2016 Suicide Squad
2017 Justice League
2017 Snow Steam Iron
2017 Wonder Woman
2018 A Star Is Born
2020 Wonder Woman 1984
2021 Army of the Dead
2021 Sweet Girl
2021 Zack Snyder's Justice League
2022 Uncharted
2024 Creating a Universe - The Making of Rebel Moon
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.