A work in constant progress (and occasional regress).
Birthplace:
Ravenna, Italy
Born:
January 20, 1972
Director:
2017 Chi m'ha visto
2019 A Whole New Life
2021 School of Mafia
2023 Una commedia pericolosa
Screenplay:
2009 Natale a Beverly Hills
2010 Natale in Sudafrica
2011 Il signore della truffa
2013 Trilussa - Storia d'amore e di poesia
2014 Mio papà
2015 Opposites Attract
2015 Uno, anzi due
2016 The Lithium Conspiracy
2017 Chi m'ha visto
2019 A Whole New Life
2021 School of Mafia
2021 The Crypt Monster
2023 La caccia
2023 Una commedia pericolosa
Story:
2009 Natale a Beverly Hills
2010 Natale in Sudafrica
2011 Il signore della truffa
2013 Trilussa - Storia d'amore e di poesia
2014 Mio papà
2015 Opposites Attract
2015 Uno, anzi due
2016 The Lithium Conspiracy
2017 Chi m'ha visto
2019 A Whole New Life
2021 School of Mafia
2021 The Crypt Monster
2023 La caccia
2023 Una commedia pericolosa
Teleplay:
2009 Natale a Beverly Hills
2010 Natale in Sudafrica
2011 Il signore della truffa
2013 Trilussa - Storia d'amore e di poesia
2014 Mio papà
2015 Opposites Attract
2015 Uno, anzi due
2016 The Lithium Conspiracy
2017 Chi m'ha visto
2019 A Whole New Life
2019 The Weight Of The World On My Shoulders
2021 School of Mafia
2021 The Crypt Monster
2023 La caccia
2023 Una commedia pericolosa
Writer:
2009 Natale a Beverly Hills
2010 Natale in Sudafrica
2011 Il signore della truffa
2013 Trilussa - Storia d'amore e di poesia
2014 Mio papà
2015 Opposites Attract
2015 Uno, anzi due
2016 The Lithium Conspiracy
2017 Chi m'ha visto
2019 A Whole New Life
2019 Copperman
2019 The Weight Of The World On My Shoulders
2020 Divorzio a Las Vegas
2021 School of Mafia
2021 The Crypt Monster
2023 La caccia
2023 Una commedia pericolosa
Creator:
2000 Cuori rubati
Writer:
2000 Cuori rubati
2000 Father Matteo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.