A work in constant progress (and occasional regress).
Alias:
Claude Jeanne Andrée Durand
Birthplace:
Paris, France
Born:
October 21, 1932
Claude Bessy (born in Paris, 20 October 1932) is a French ballerina, ballet master of the Paris Opera Ballet (1970–1971) and director of the Paris Opera Ballet School (1972–2004). Bessy trained at the Paris Opera Ballet School from the age of ten, the youngest student ever admitted, and joined the Paris Opera Ballet at age 13, the youngest danseuse ever admitted. In 1956, she was promoted to étoile, the Ballet's highest rank. Bessy was closely associated with Serge Lifar and created leading roles in his 1951 Snow White, 1955 Noces fantastiques and 1958 Daphnis and Chloe. She worked with John Cranko, who made his 1955 La Belle Hêlène on her, and George Skibine, who made a second Daphnis and Chloe on Bessy in 1959. Bessy was featured in Gene Kelly's film Invitation to the Dance (1956), and four years later he created Pas de dieux at the Paris Opera for her. She also made many television appearances. Bessy has staged ballets for the Comédie Française and Opéra Comique, dances for the musical My Fair Lady (1984) and continues to stage the ballets of Lifar throughout Europe. As director of the Paris Opera Ballet School, she introduced profound reforms to the teaching regime which led to the birth of a new generation of highly technical dancers like Sylvie Guillem, Patrick Dupond, Élisabeth Platel, Marie-Claude Pietragalla, and succeeded in organising the construction of a new school building in Nanterre inaugurated in 1987. Bessy was named to France's Ordre national du Mérite (dignity of the Grand Cross, its highest class), in 2009. Source: Article "Claude Bessy (dancer)" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.