A work in constant progress (and occasional regress).
Assistant Camera:
2005 Autobiographical Scene Number 6882
Assistant Editor:
2005 Autobiographical Scene Number 6882
2009 Psalm 21
Camera Operator:
1996 Hjäälp - The Nerd
2005 Autobiographical Scene Number 6882
2009 Psalm 21
Cinematography:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2005 Autobiographical Scene Number 6882
2009 Psalm 21
Director:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2004 Den ljusnande framtid är vår
2005 Autobiographical Scene Number 6882
2008 An Extraordinary Study in Human Degradation
2009 Psalm 21
2022 The Maw
Editor:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2004 Den ljusnande framtid är vår
2005 Autobiographical Scene Number 6882
2008 An Extraordinary Study in Human Degradation
2009 Psalm 21
2013 Arena
2022 The Maw
Other:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2004 Den ljusnande framtid är vår
2005 Autobiographical Scene Number 6882
2008 An Extraordinary Study in Human Degradation
2009 Psalm 21
2013 Arena
2022 The Maw
Producer:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2004 Den ljusnande framtid är vår
2005 Autobiographical Scene Number 6882
2008 An Extraordinary Study in Human Degradation
2009 Psalm 21
2012 Hultsfredsfestivalen: Går det inte så går det ändå
2013 Arena
2022 The Maw
Sound:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2004 Den ljusnande framtid är vår
2005 Autobiographical Scene Number 6882
2008 An Extraordinary Study in Human Degradation
2009 Psalm 21
2012 Hultsfredsfestivalen: Går det inte så går det ändå
2013 Arena
2022 The Maw
Writer:
1996 Hjäälp - The Nerd
2002 Looking for Tsai
2004 Den ljusnande framtid är vår
2005 Autobiographical Scene Number 6882
2008 An Extraordinary Study in Human Degradation
2009 Psalm 21
2012 Hultsfredsfestivalen: Går det inte så går det ändå
2013 Arena
2022 The Maw
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.