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Marianne Khoury (b. 1958)

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Alias:
Maryan Khoury

Birthplace:
Cairo, Egypt

Born:
October 2, 1958

Biography from TheMovieDB

Marianne Khoury is an Egyptian producer and director born in Cairo on October 2, 1958. She received her Bachelor of Arts degree in Economics and Political Science from the American University in Cairo in 1980, then obtained a Master of Arts degree in Economics from Oxford University in 1982. She co-managed the Egyptian International Films Company since 1984, and worked as an executive producer for a large number of films with director Youssef Chahine. She also worked as an artistic producer for a large number of films including Summer Robbery (1988) and The City (1999) directed by Yousry Nasrallah; Beggars and Nobles (1991) and Concerto in the Path of Happiness (1998) directed by Asmaa Al-Bakri; Arq Al-Balah(1998) directed by Radwan Al-Kashef; Closed Doors (1999) directed by Atef Hetata; and The Storm (2001) directed by Khaled Youssef. In addition to production, she directed a number of documentaries including Laura's Time, Cinema Lovers, and Shadows.

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Additional information:

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Film Performances

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Film Production

Cinematography:
2019  Let's Talk

Director:
1999  The Times of Laura
2002  Women Who Loved Cinema
2010  Zelal
2019  Let's Talk

Executive Producer:
1986  The Sixth Day
1988  Summer Thefts
1999  The City
1999  The Times of Laura
2001  Silence... We're Rolling
2002  Women Who Loved Cinema
2010  Zelal
2019  Let's Talk

Producer:
1985  Adieu Bonaparte
1986  The Sixth Day
1988  Summer Thefts
1989  Alexandria Again and Forever
1991  Beggars and Noblemen
1999  The City
1999  The Times of Laura
2001  Silence... We're Rolling
2002  The Legend of Rose Al-Youssef
2002  Women Who Loved Cinema
2003  Woman Is Courage
2003  Women Beyond Borders
2004  Alexandria... New York
2004  Raï Story
2004  Seekers of Oblivion
2004  Sheikhates Blues
2004  The Lady of the Palace
2004  When A Woman Sings
2007  Chaos, This Is?
2010  Zelal
2013  Settou Zad, My first passion
2019  Let's Talk

Screenplay:
1985  Adieu Bonaparte
1986  The Sixth Day
1988  Summer Thefts
1989  Alexandria Again and Forever
1991  Beggars and Noblemen
1999  The City
1999  The Times of Laura
2001  Silence... We're Rolling
2002  The Legend of Rose Al-Youssef
2002  Women Who Loved Cinema
2003  Woman Is Courage
2003  Women Beyond Borders
2004  Alexandria... New York
2004  Raï Story
2004  Seekers of Oblivion
2004  Sheikhates Blues
2004  The Lady of the Palace
2004  When A Woman Sings
2007  Chaos, This Is?
2010  Zelal
2013  Settou Zad, My first passion
2019  Let's Talk

Writer:
1985  Adieu Bonaparte
1986  The Sixth Day
1988  Summer Thefts
1989  Alexandria Again and Forever
1991  Beggars and Noblemen
1999  The City
1999  The Times of Laura
2001  Silence... We're Rolling
2002  The Legend of Rose Al-Youssef
2002  Women Who Loved Cinema
2003  Woman Is Courage
2003  Women Beyond Borders
2004  Alexandria... New York
2004  Raï Story
2004  Seekers of Oblivion
2004  Sheikhates Blues
2004  The Lady of the Palace
2004  When A Woman Sings
2007  Chaos, This Is?
2010  Zelal
2013  Settou Zad, My first passion
2019  Let's Talk

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.