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Cem Kaya (b. 1976)

Birthplace:
Schweinfurt, Germany

Born:
February 1, 1976

Biography from TheMovieDB

Born in Schweinfurt, Germany in 1976, he studied communication design in Stuttgart and worked first as a producer, editor and director of commercials and music videos before moving into documentary. His film Remake, Remix, Rip-Off, about the Turkish Yesilçam film industry that remakes Hollywood blockbusters for the domestic cinema market, premiered at Locarno. He is also a cinematographer and worked with others filming the investigative documentary 77sqm_9:26min, about the reconstruction of the NSU murder of Halit Yozgat, which premiered at documenta 14.

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Additional information:

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Film Performances

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Film Production

Director:
2003  The Cold Plate
2005  Do Not Listen!
2010  Arabeks
2019  Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
2022  Love, Deutschmarks and Death

Editor:
2003  The Cold Plate
2005  Do Not Listen!
2010  Arabeks
2019  Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
2022  Love, Deutschmarks and Death

Writer:
2003  The Cold Plate
2005  Do Not Listen!
2010  Arabeks
2019  Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
2022  Love, Deutschmarks and Death

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.