André Almurò

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Birthplace:
Paris, France

André Almuro is simultaneously a composer, musician, radio producer, performer, teacher and filmmaker. From his early childhood in the music world, he began his first sound research in 1947 at the Club d'Essai of the Radiodiffusion française (RDF), where he became producer in 1950 (he adapted texts from Jean Cocteau, Pablo Picasso, Eugène Ionesco , Jean Genet, Gracq, Jules Supervielle...) then joined in 1958 the Groupe de Recherches Musicales of l'ORTF. On that time he met Pierre Clementi, at the age of fifteen years, with whom he developed several collaborations. He founded his own recording studio in the 1960s in which he produced artists such as Colette Magny. In a parallel basis, he created a large number of pieces for magnetic tapes and electronic operas in which he seeks a "ceremonial atmosphere of magic and incantation, with or without the support of a text." (Dictionary of Music, Larousse). He began teaching at the Sorbonne in 1973 alongside with Dominique Noguez and Michel Journiac, where he founded three years later, with his students, the group Son-Image-Corps where were born more than thirty shows for which he composed music. In 1978 he directed his first film, Cortège, shot in Super 8mm, and made more than thirty other until his death.

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Director:
1978  Cortège
1980  Hors-jeux
1982  L'habitacle
1982  Le corps perdu
1986  Point vélique
1987  L'inopiné
1988  Flash
1988  Le lever des corps
1989  Le troisième oeil
1990  Clônes
1991  Continuum
1992  Rumeur
1994  Littérale
1995  Tropes
1997  Entelechie

Music:
1955  Vibrations
1978  Cortège
1980  Hors-jeux
1982  L'habitacle
1982  Le corps perdu
1986  Point vélique
1987  L'inopiné
1988  Flash
1988  Le lever des corps
1989  Le troisième oeil
1990  Clônes
1991  Continuum
1992  Rumeur
1994  Littérale
1995  Tropes
1997  Entelechie

Sound:
1955  Vibrations
1978  Cortège
1980  Hors-jeux
1982  L'habitacle
1982  Le corps perdu
1986  Point vélique
1987  L'inopiné
1988  Flash
1988  Le lever des corps
1989  Le troisième oeil
1990  Clônes
1991  Continuum
1992  Rumeur
1994  Littérale
1995  Tropes
1997  Entelechie

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.