Joana Collier

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Editor:
2004  Justice
2007  Behave
2010  Angeli 24 Horas
2012  Paralelo 10
2012  Querença
2013  Seventy
2014  Jia Zhangke, A Guy from Fenyang
2014  Paixão e Virtude
2015  The Other Side of the Atlantic
2016  The City of the Future
2016  Twenty Years
2016  Xingu Cariri Caruaru Carioca
2017  Black Amber
2017  Eu Preciso Destas Palavras Escritas
2017  When the Earth Trembles
2018  Landscape Film, Roberto Burle Marx
2019  Hebe
2019  Pacarrete
2020  Natureza Morta
2020  The Cotton Wool War
2021  Yellow Sunglasses
2022  A Suspeita
2022  Fim de Semana no Paraíso Selvagem
2022  The Cage and the Dream
2022  The Life in my Fists
2023  O Chá de Alice
2023  The Salamander
2024  Seaside Avenue
2025  MMA - A Fathers Fight

Writer:
2004  Justice
2007  Behave
2010  Angeli 24 Horas
2012  Paralelo 10
2012  Querença
2013  Seventy
2014  Jia Zhangke, A Guy from Fenyang
2014  Paixão e Virtude
2015  The Other Side of the Atlantic
2016  The City of the Future
2016  Twenty Years
2016  Xingu Cariri Caruaru Carioca
2017  Black Amber
2017  Eu Preciso Destas Palavras Escritas
2017  When the Earth Trembles
2018  Landscape Film, Roberto Burle Marx
2019  Hebe
2019  Pacarrete
2020  Natureza Morta
2020  The Cotton Wool War
2021  Yellow Sunglasses
2022  A Suspeita
2022  Fim de Semana no Paraíso Selvagem
2022  The Cage and the Dream
2022  The Life in my Fists
2023  O Chá de Alice
2023  O Coro do Te-Ato
2023  The Salamander
2024  Seaside Avenue
2025  MMA - A Fathers Fight

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.