Ben Pickering (b. 1979)

Birthplace:
Beckenham, London, England, United Kingdom

Born:
June 23, 1979

Ben's first foray into movie-making came in 1995, when at just 16 he produced and starred in his very first feature, the coming-of-age drama 'Backstreet'.  Two years later he produced and starred in the low-budget gangster thriller 'Tragic Irony'. Made on 16mm for just £6,000 and a cross between 'Pulp Fiction' and 'Shallow Grave', it took a sideswipe at the seedier side of Nineties Britain.  After making his directorial debut with the pilot for docudrama series 'How To Get Away With Murder', Ben stepped back from the film industry to read Politics at Swansea University, getting to the final year of a PhD on the European Union and even running for the UK Parliament before returning to his first love, film.  In 2009 he produced the 35mm short 'Beached' in conjunction with The London Film School. The short screened at the Strasbourg International Film Festival as well as the Short Film Corner at Cannes.  After spending many a weekend at London's Raindance film training courses, he finally took the plunge and directed his first feature, crime thriller 'Two Days in the Smoke'. A re-imaging of his earlier film 'Tragic Irony', the reboot starred Matt di Angelo ('Borgia'), Lili Bordán ('Battlestar Galactica: Blood and Chrome') and Alan Ford ('Snatch'). The London- and Paris-set feature was released in the UK in October 2014 as 'The Smoke' and internationally throughout 2015 as 'London Payback'.  After co-producing Isle of Man heist caper 'Ratted Out' and associate producing psychological thriller 'The Stranger', he returned to the director's chair for the Cornwall-set portmanteau 'Welcome to Curiosity' starring Amrita Acharia ('Game of Thrones'), Richard Blackwood ('Anuvahood') and Stephen Marcus ('Lock Stock and Two Smoking Barrels'). The film is due for release in 2017.

Additional information:

The Search Form


Co-Producer:
2016  Longtails

Director:
2014  The Smoke
2016  Longtails
2018  Welcome to Curiosity

Executive Producer:
2014  The Smoke
2016  Longtails
2018  Welcome to Curiosity
2020  Infracktion

Line Producer:
2014  The Smoke
2016  Longtails
2018  Welcome to Curiosity
2020  Infracktion
2020  Safeguard
2022  Jolly Good Christmas

Producer:
2009  Beached
2014  The Smoke
2016  Longtails
2018  Welcome to Curiosity
2020  Infracktion
2020  Safeguard
2022  Jolly Good Christmas
2022  The Presence of Love

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.