Piotr Sikora

Co-founder of Platige Image, the manager of the company and the key person behind its development. He has ensured the strong position of the brand on the local and international market, establishing and developing the collaboration with such advertising agencies as BBDO, DD B& Tribal, Leo Burnett, Saatch & Saatchi and DDB. He initiated the production of special projects, including shows in the 3D Live Theater formula, which have been performed in Amsterdam, St. Petersburg, Warsaw and Gdynia. He was an executive producer on numerous musicals, including Ca Ira (dir. Roger Waters), Polita, Pilots or Peter Pan (dir. Józef Józefowicz). Recently he produced visualizations for the Epic Game Concert, realized by the Creative Arts department of Platige Image.

Additional information:

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CG Supervisor:
2009  Splinters

Co-Producer:
2007  ARK
2009  Splinters
2018  Mug

Executive Producer:
2007  ARK
2009  Splinters
2014  Ambition
2018  Another Day of Life
2018  Mug

Producer:
2002  The Cathedral
2004  Fallen Art
2007  ARK
2009  Splinters
2009  The Kinematograph
2014  Ambition
2018  Another Day of Life
2018  Mug

Visual Effects:
2002  The Cathedral
2004  Fallen Art
2007  ARK
2009  Splinters
2009  The Kinematograph
2014  Ambition
2018  Another Day of Life
2018  Mug

Visual Effects Producer:
2002  The Cathedral
2004  Fallen Art
2007  ARK
2009  Antichrist
2009  Splinters
2009  The Kinematograph
2014  Ambition
2018  Another Day of Life
2018  Mug

Executive Producer:
2019  The Witcher

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.