A work in constant progress (and occasional regress).
Alias:
Gordon Adams Daniel
Gordon Daniels
Birthplace:
Ormskirk, Lancashire, England, UK
Born:
April 5, 1923
Died:
August 1, 2009
Gordon Daniel was a British (supervising) sound and dailogue editor for film and television productions. He won an Academy Award in the category "Best Effects, Sound Effects" for his work on the feature film "Grand Prix".
Dialogue Editor:
1978 A Christmas to Remember
Foley:
1978 A Christmas to Remember
1984 The Terminator
Sound Editor:
1964 A Hard Day's Night
1965 Genghis Khan
1966 Grand Prix
1966 Modesty Blaise
1967 Magical Mystery Tour
1968 Villa Rides
1973 Papillon
1974 The Longest Yard
1976 Lipstick
1977 The Choirboys
1978 A Christmas to Remember
1978 Revenge of the Pink Panther
1984 The Terminator
Sound Effects:
1964 A Hard Day's Night
1965 Genghis Khan
1966 Grand Prix
1966 Modesty Blaise
1967 Magical Mystery Tour
1968 Villa Rides
1973 Papillon
1974 The Longest Yard
1976 Lipstick
1977 The Choirboys
1978 A Christmas to Remember
1978 Revenge of the Pink Panther
1979 10
1984 The Terminator
Sound Effects Editor:
1964 A Hard Day's Night
1965 Genghis Khan
1966 Grand Prix
1966 Modesty Blaise
1967 Magical Mystery Tour
1968 Villa Rides
1973 Papillon
1974 The Longest Yard
1975 Hustle
1976 Drum
1976 Lipstick
1977 The Choirboys
1978 A Christmas to Remember
1978 Revenge of the Pink Panther
1979 10
1979 Hardcore
1984 The Terminator
Supervising Sound Editor:
1964 A Hard Day's Night
1965 Genghis Khan
1966 Grand Prix
1966 Modesty Blaise
1967 Magical Mystery Tour
1968 Villa Rides
1973 Papillon
1974 The Longest Yard
1975 Hustle
1976 Drum
1976 Lipstick
1977 The Choirboys
1978 A Christmas to Remember
1978 Revenge of the Pink Panther
1979 10
1979 Hardcore
1984 The Terminator
1985 Vision Quest
1986 Platoon
1988 A Tiger's Tale
1988 Police Academy 5: Assignment Miami Beach
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.