A work in constant progress (and occasional regress).
Camera Operator:
2014 Two Museums
Camera Technician:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
Cinematography:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2017 Streetscapes [Dialogue]
2021 Antivilla
2022 Mamani in El Alto
2023 Slaughterhouses of Modernity
Color Grading:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2021 Antivilla
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Colorist:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2021 Antivilla
2021 Behind the Headlines
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Director of Photography:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2016 Bickels [Socialism]
2017 2 + 2 = 22 [The Alphabet]
2017 Dieste [Uruguay]
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2021 Antivilla
2021 Behind the Headlines
2021 The Last City
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Editor:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2016 Bickels [Socialism]
2017 2 + 2 = 22 [The Alphabet]
2017 Dieste [Uruguay]
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2021 Antivilla
2021 Behind the Headlines
2021 The Last City
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Post Producer:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2016 Bickels [Socialism]
2017 2 + 2 = 22 [The Alphabet]
2017 Dieste [Uruguay]
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2020 Mein Opa, Karin und ich
2021 Antivilla
2021 Behind the Headlines
2021 The Last City
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Post Production Supervisor:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2016 Bickels [Socialism]
2017 2 + 2 = 22 [The Alphabet]
2017 Dieste [Uruguay]
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2020 Mein Opa, Karin und ich
2021 Antivilla
2021 Behind the Headlines
2021 The Last City
2021 Who We Were
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Screenplay:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2016 Bickels [Socialism]
2016 Young Light
2017 2 + 2 = 22 [The Alphabet]
2017 Dieste [Uruguay]
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2020 Mein Opa, Karin und ich
2021 Antivilla
2021 Behind the Headlines
2021 The Last City
2021 Who We Were
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Sound:
2014 The Airstrip - Decampment of Modernism, Part III
2014 Two Museums
2016 Bickels [Socialism]
2016 Young Light
2017 2 + 2 = 22 [The Alphabet]
2017 Dieste [Uruguay]
2017 Streetscapes [Dialogue]
2018 DJ Punk: The Photographer Daniel Josefsohn
2019 Vidourle
2020 Mein Opa, Karin und ich
2021 Antivilla
2021 Behind the Headlines
2021 The Last City
2021 Who We Were
2022 Mamani in El Alto
2022 Tara
2023 Slaughterhouses of Modernity
2024 Union - Die besten aller Tage
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.