Souad Massi (b. 1972)

Birthplace:
Algiers, Algeria

Born:
August 23, 1972

Souad Massi (born August 23, 1972), is an Algerian Berber singer, songwriter and guitarist. She began her career performing in the Kabyle political rock band Atakor, before leaving the country following a series of death threats. In 1999, Massi performed at the Femmes d'Algérie concert in Paris, which led to a recording contract with Island Records.  Massi's music, which prominently features the acoustic guitar, displays Western musical style influences such as rock, country or the Portuguese fado but sometimes incorporates oriental musical influences and oriental instruments like the oud as well as African musical stylings. Massi sings in Classical Arabic, Algerian Arabic, Egyptian Arabic, French, occasionally in English, and in the Kabyle Berber language, often employing more than one language in the same song.  Souad Massi was born in Algiers, Algeria to a poor family of six children. She grew up in the working-class Bab El Oued neighborhood of Algiers and took up singing and playing the guitar at an early age.  Encouraged by her older brother, she began studying music at a young age, singing and playing guitar. Growing up, she immersed herself in American country and roots music – musical styles that would later strongly influence her songwriting. At the age of 17, she joined a flamenco band, but quickly grew bored and left.  In the early 1990s, Massi joined the Algerian political rock band Atakor, who were influenced by Western rock bands such as Led Zeppelin and U2. She recorded and performed with the group for seven years, releasing a successful album and two popular music videos. The band, however, with its political lyrics and growing popularity, became a target. Massi disguised herself by cutting her hair and dressing in male clothing, but she nevertheless became the target of a series of anonymous death threats. In 1999, she left the band and moved to Paris, France.  Massi currently lives in Paris, France with her two daughters Inji and Amira. She is a fan of Leonard Cohen and has listed the music from AC/DC and INXS as having been among her formative influences.  In 1999, Massi was invited to perform at the Femmes d'Algérie ("Women of Algeria") festival in Paris, which led to a recording contract with Island Records. In June 2001, she released her solo debut album, Raoui ("Storyteller"), which Allmusic compared to 1960s American folk music. Sung mostly in French and Arabic, the album became a critical and commercial success in France. The following year, she was nominated for "Best Newcomer" at the Radio 3 World Music Awards.  In 2003, she released her second album, Deb ("Heartbroken"). The album's lyrics were more personal, rather than political, and it became one of the most successful North African albums worldwide. Three years later, Massi released her third album, Mesk Elil ("Honeysuckle"). The album expanded on the themes of love and loss that had been explored on Deb, and featured duets with Daby Toure and Rabah Khalfa. She was the Italian variety show's guest star "Non facciamoci prendere dal panico" in 2006 by Italian singer and showman Gianni Morandi. ...  Source: Article "Souad Massi" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Music:
2006  Bad Faith

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.